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1. |
Record Nr. |
UNINA9910495933003321 |
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Autore |
Arnold Markus |
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Titolo |
Borders and Ecotones in the Indian Ocean : Cultural and Literary Perspectives / / Markus Arnold, Corinne Duboin, Judith Misrahi-Barak |
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Pubbl/distr/stampa |
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Montpellier, : Presses universitaires de la Méditerranée, 2020 |
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ISBN |
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Descrizione fisica |
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1 online resource (336 p.) |
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Collana |
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Altri autori (Persone) |
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ChakravartyPallavi |
ChowdhuryDebdatta |
DuboinCorinne |
FageolPierre-Éric |
GaranFrédéric |
Gouaux-RabasaLaurence |
HillionMarianne |
HuetElisa |
HuuCécile Do |
JacobsJ. U |
JalaisAnnu |
Magdelaine-AndrianjafitrimoValérie |
Misrahi-BarakJudith |
PatelShenaz |
RoinsardNicolas |
Saint-LoubertLaëtitia |
SamuelsonMeg |
TyagiRitu |
ArnoldMarkus |
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Soggetti |
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Cultural studies |
Literature (General) |
Ecotones |
Indian Ocean |
Borders |
Liminality |
Migrations |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Les essais critiques réunis dans ce volume prennent leur ancrage dans l’océan Indien et explorent les multiples façons dont la dynamique des échanges a formé cette région multilingue, de l’Inde aux Mascareignes et au sud de l’Afrique. Frontières, bords et tiers espaces sont revisités à travers la notion d’écotone, une zone de transition entre deux écosystèmes. Si le terme a été surtout utilisé par les biologistes et les écologistes, l’angle métaphorique est particulièrement fertile en ce qu’il autorise les approches trans-disciplinaires et rend possibles des perspectives nouvelles. En anglais et en français, le but de ce volume est d’enrichir la recherche déjà publiée dans plusieurs champs disciplinaires et de participer au développement des études indo-océaniques. Les auteurs du volume réexaminent ces écotones comme des espaces de frictions autant que des espaces de fusion. Les essais sont écrits par Pallavi Chakravarty, Debdatta Chowdhury, Cécile Do Huu, Pierre-Éric Fageol et Frédéric Garan, Laurence Gouaux-Rabasa, Elisa Huet, Marianne Hillion, J.U. Jacobs, Annu Jalais, Valérie Magdelaine-Andrianjafitrimo, Nicolas Roinsard, Laëtitia Saint-Loubert, Meg Samuelson, Ritu Tyagi. Une conversation avec l’écrivaine mauricienne Shenaz Patel offre une conclusion en forme d’ouverture vers la création littéraire. This collection of critical essays anchors itself in the Indian Ocean and explores the multiple ways dynamic exchanges have shaped this multilingual region of the world, from India to the Mascarene Islands to Southern Africa. Borders, edges and third spaces are revisited through the notion of the ecotone, a transitional zone between two ecosystems. If the term has primarily been used by biologists and ecologists, the metaphorical angle proves to be fruitful as it authorizes trans-disciplinary approaches and empowers fresh perspectives. In French and in English, the aim of the volume is to contribute to scholarship already published across various disciplinary… |
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2. |
Record Nr. |
UNINA9910918698003321 |
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Autore |
Barraza Vania |
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Titolo |
Female Agency in Films Made by Latin American Women / / edited by Vania Barraza, María Helena Rueda |
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Pubbl/distr/stampa |
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Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 |
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ISBN |
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Edizione |
[1st ed. 2024.] |
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Descrizione fisica |
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1 online resource (400 pages) |
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Collana |
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Global Cinema, , 2634-596X |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Motion pictures, American |
Sex |
Motion pictures |
Latin American Film and TV |
Gender Studies |
Global Film and TV |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Chapter 1: Introduction: Female Agency in Latin American Films: Women Autonomy and Empowerment Over the Patriarchal Gaze -- Part One: Agency, Perception, and the Female Gaze -- Chapter 2: Perturbed Genders in Lucrecia Martel -- Chapter 3: Memory, Disability and Space in Mafifa (Daniela Muñoz Barroso 2021) -- Chapter 4: Intimate Documentaries Made by Women in Colombia: Beyond the Patriarchal Gaze -- Part Two: Queering the Gaze: Politics, Sexualities, and Female Desire -- Chapter 5: A Journey with an Expiration Date: Notes on Amnesia Letal's Film Travesía Travesti -- Chapter 6: Reimagining the Sexual Subject: Feminist Politics and Visual Pleasure in Contemporary Argentine Cinema -- Chapter 7: Intersexuality, Polyamory, and Lesbianism in Women's Filmmaking: Patricia Ortega's Yo, Imposible (2018) and Ruth Caudeli's Petit Mal (2022) -- Part Three: Motherhood / Girlhood -- Chapter 8: Creating A Feminist Gaze?: Motherhood and Identity in Recent Costa Rican Cinema -- Chapter 9: Motherhood, Disappearance, and Agency in Mexican Films Made by Women: Sin señas particulares (Fernanda Valadez 2020) and La civil (Teodora Mihai |
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2021) -- Chapter 10: "Para verte mejor": Gaze and Aesthetics in Chilean Bildungsfilms -- Part Four: Female Affect: Care, Bonding, and Community -- Chapter 11: The Balance between Care and Self-affirmation: Disability and the Family in Latin American Film -- Chapter 12: Necronarratives, Ethics of Care, and Female Bonding in 21st Century Puerto Rican Cinema: Perfume de gardenias (2021) and La pecera (2023) -- Chapter 13: Kitchen Conversation and Photographic Memory: A Focus on Female-Centered Narratives of Lineage and Liberation in Brazilian Film -- Part Five: Intersectionality, Decolonization, and Subjectivities -- Chapter 14: Making Home: Feminist Activism in Two Peruvian Audiovisual Projects -- Chapter 15: Mexican Female Filmmakers: Shifting the Representation of Indigenous Women -- Chapter 16: Pathbreakers of Peruvian Fiction Cinema. |
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Sommario/riassunto |
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At a time of growing relevance for women's social and cultural movements in the Americas, Female Agency in Films Made by Latin American Women examines how the increased prominence of women in a directorial role translates into new paradigms of female agency in Latin American filmmaking. This volume bridges the two main tendencies that have characterized gender-studies approaches to the region's cinema to date: first, the survey-based analysis of films made by women and second, the study of how female characters are treated on the screen-by female and male directors. Bringing together both scholarly trends, this volume explores the complex modalities of female agency developed in recent films directed by women in Latin America, through innovative aesthetic and discursive strategies. Moving beyond consideration of visibility or representation, a diverse body of contributors in this book look for expressions of agency in the films' gaze, their affective depth, the forms of care they bring to the fore, how they highlight their characters' desires and subjectivities, and the bodily and sensorial experiences they convey. María Helena Rueda is a Professor of Spanish and Latin American Studies at Smith College, USA. Her publications focus on contemporary Latin American literature and film, particularly from Colombia, Chile, and Peru. Vania Barraza is a Professor of Spanish at the University of Memphis, USA. Her publications focus on the literature and culture of Latin America, particularly Chile, with an emphasis on film, gender, and sexuality studies. |
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3. |
Record Nr. |
UNINA9910140148703321 |
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Autore |
Neiertz Nicolas |
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Titolo |
La coordination des transports en France : de 1918 à nos jours |
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Pubbl/distr/stampa |
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Institut de la gestion publique et du développement économique, 1999 |
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[Place of publication not identified], : Institut de la gestion publique et du développement économique Comité pour l'histoire économique et, 1999 |
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ISBN |
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Descrizione fisica |
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1 online resource (798 pages) |
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Collana |
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Soggetti |
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Business & Economics |
Transportation Economics |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references and indexes. |
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Sommario/riassunto |
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Le chemin de fer, l'automobile, l'avion et la péniche sont-ils condamnés à une lutte sans merci ? En France comme dans de nombreux autres pays, l'État est intervenu au cours de ce siècle pour limiter les éventuels « méfaits » de cette concurrence intermodale et favoriser une collaboration ou « coordination » entre les modes de transports. Cette politique « globale » se met en place au début des années 1930 alors que la motorisation des transports routiers et fluviaux et l'apparition des transports aériens exacerbent la concurrence avec les chemins de fer. Elle s'appuie sur différents outils d'intervention : la réglementation des transports publics et privés de voyageurs et de marchandises, leur tarification, leur fiscalité, les investissements et les progrès techniques. Nicolas Neiertz nous montre comment la coordination réglementaire et tarifaire s'est instaurée par étape entre les années 1930 et les années 1900, pour régresser ensuite peu à peu. La coordination fiscale et celle des investissements n'ont jamais pu voir le jour, à cause du jeu des groupes de pression économiques et des enjeux politiques. La coordination technique (transports mixtes ou « combinés ») réalise au contraire des progrès constants, comme le montre aujourd'hui |
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l'avènement de l'« intermodalité ». |
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