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1. |
Record Nr. |
UNINA9910452433503321 |
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Titolo |
Locating the moving image : new approaches to film and place / / edited by Julia Hallam and Les Roberts |
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Pubbl/distr/stampa |
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Bloomington : , : Indiana University Press, , [2014] |
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©2014 |
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ISBN |
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0-253-01105-1 |
0-253-01112-4 |
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Descrizione fisica |
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1 online resource (277 p.) |
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Collana |
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Altri autori (Persone) |
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HallamJulia <1952-> |
RobertsLes <1966-> |
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Disciplina |
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Soggetti |
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Motion picture industry |
Film criticism - Philosophy |
Motion pictures - Production and direction |
Motion pictures - Social aspects |
Arts and geography |
Motion picture audiences |
Spatial analysis (Statistics) |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Title Page; Copyright Page; Table of Contents; · Acknowledgments; 1. Film and Spatiality: Outline of a New Empiricism; 2. Getting to "Going to the Show"; 3. Space, Place, and the Female Film Exhibitor: The Transformation of Cinema in Small-Town New Hampshire during the 1910's; 4. Mapping Film Exhibition in Flanders (1920-1990): A Diachronic Analysis of Cinema Culture Combined with Demographic and Geographic Data; 5. Mapping the Ill-Disciplined? Spatial Analyses and Historical Change in the Postwar Film Industry |
6. Mapping Film Audiences in Multicultural Canada: Examples from the Cybercartographic Atlas of Canadian Cinema 7. The Geography of Film Production in Italy: A Spatial Analysis Using GIS; 8. Mapping the "City" Film 1930-1980; 9. Retracing the Local: Amateur Cine Culture and Oral |
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Histories; 10. Beyond the Boundary: Vernacular Mapping and the Sharing of Historical Authority; 11. Afterword: Toward a Spatial History of the Moving Image; · Contributors; · Index |
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Sommario/riassunto |
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Leading scholars in the interdisciplinary field of geo-spatial visual studies examine the social experience of cinema and the different ways in which film production developed as a commercial enterprise, as a leisure activity, and as modes of expression and communication. Their research charts new pathways in mapping the relationship between film production and local film practices, theatrical exhibition circuits and cinema going, creating new forms of spatial anthropology. Topics include cinematic practices in rural and urban communities, development of cinema by amateur filmmakers, and us |
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2. |
Record Nr. |
UNINA9910481886503321 |
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Autore |
Huber Ulrik <1636-1694.> |
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Titolo |
Gevoelens van eenige beroemde gereformeerde theologanten ende andere wyse mannen nopens de dans-oeffeninge; Mitsgaders bescheidt op een missive daer van onlangs uitgeven ...-f[Ulricus Huber] [[electronic resource]] |
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Pubbl/distr/stampa |
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Leeuwarden, : Hero Nauta, 1683 |
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Descrizione fisica |
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Online resource ([4], 52 p, 4°) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Reproduction of original in Koninklijke Bibliotheek, Nationale bibliotheek van Nederland. |
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3. |
Record Nr. |
UNINA9910495845503321 |
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Autore |
Corbel-Morana Cécile |
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Titolo |
Le Bestiaire d’Aristophane / Cécile Corbel-Morana |
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Pubbl/distr/stampa |
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Paris, : Les Belles Lettres, 2021 |
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ISBN |
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Descrizione fisica |
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1 online resource (352 p.) |
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Soggetti |
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Classics |
Literature |
nature |
animaux |
choeur |
comédie |
dramaturgie |
métamorphose |
représentation |
symbolisme |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Brékékékéx koax koax. Le coassement du chœur des Grenouilles qui accompagne la catabase de Dionysos, parti aux Enfers chercher un bon poète tragique, est sans doute le vers le plus célèbre d’Aristophane : les animaux de son théâtre méritaient une étude qui cherchât à vérifier en quoi ils pouvaient définir l’œuvre du poète comique au point d’en devenir l’emblème. Animaux bons à manger, chœurs zoomorphes, métaphores et comparaisons animales qui envahissent le texte et la scène, tous sont investis d’une fonction symbolique essentielle dans la représentation de la société des hommes qui intéresse le poète, et constituent une véritable clef d’interprétation pour l’ensemble de son œuvre. Qu’il s’agisse du style et de la dramaturgie de ce représentant de la Comédie ancienne, du regard qu’il porte sur la Cité à travers l’utopie et la satire politique, ou encore du dialogue qu’il entretient avec |
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la tradition littéraire et de la réflexion qu’il mène inlassablement sur le métier de poète, il n’est en fait pas un seul aspect du théâtre d’Aristophane qui ne puisse être éclairé par l’étude de son bestiaire. |
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