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1. |
Record Nr. |
UNINA9910495839903321 |
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Autore |
Cerutti Patrick |
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Titolo |
Fichte und Schelling: Der Idealismus in der Diskussion. Volume I : Acta des brüsseler Kongresses 2009 der Internationalen J.G. Fichte-Gesellschaft / / Lukas Held, Jean-Christophe Lemaitre, Till Grohmann |
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Pubbl/distr/stampa |
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Toulouse, : EuroPhilosophie Éditions, 2017 |
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ISBN |
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Altri autori (Persone) |
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FerrerDiogo |
FriedrichHans-Joachim |
FurlaniSimone |
GiorgioEnrico |
GuyotLaurent |
JauhianinenIlmari |
LandenneQuentin |
MatthewsBruce |
MinobeHitoshi |
NakagawaAkitoshi |
Schmied-KowarzikWolfdietrich |
SchnellAlexander |
ThéretCharles |
VandaeleHenk |
VodretPaolo |
HeldLukas |
LemaitreJean-Christophe |
GrohmannTill |
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Soggetti |
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Philosophy |
sujet |
idéalisme |
transcendantalisme |
réalisme |
système |
Idealismus |
Realismus |
Subjekt |
System |
Transzendentalismus |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Le présent volume est le premier d’une série publiant les communications faites à Bruxelles en 2009 lors du VII. congrès de l’Internationale Fichte-Gesellschaft, organisé sous l’intitulé : « Fichte et Schelling : l’idéalisme en débat ». Il reprend spécifiquement les interventions mettant en jeu le statut de la subjectivité dans l’idéalisme de Fichte et de Schelling, et celles qui abordent la différence entre les deux entreprises philosophiques de Fichte et Schelling du point de vue de la construction du système. Der vorliegende Band ist der erste einer Reihe, in der die Beiträge veröffentlicht werden, die während des gleichnamigen VII. Kongresses der Internationalen Fichte-Gesellschaft 2009 in Brüssel gehalten wurden. Dieser erste Band enthält die Beiträge, die sich mit der Stellung der Subjektivität im Idealismus Fichtes und Schellings beschäftigen, sowie diejenigen Beiträge, die den Unterschied zwischen den beiden philosophischen Vorhaben FIchtes und Schellings vom Standpunkt der Konstruktion des Systems behandeln. |
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2. |
Record Nr. |
UNINA9910819389803321 |
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Autore |
Miles Malcolm <1950-> |
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Titolo |
Limits to culture : urban regeneration vs. dissident art / / Malcolm Miles |
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Pubbl/distr/stampa |
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London, [England] : , : Pluto Press, , 2015 |
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©2015 |
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ISBN |
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1-78371-309-7 |
1-78371-308-9 |
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Descrizione fisica |
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1 online resource (224 p.) |
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Classificazione |
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Disciplina |
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Soggetti |
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Culture - History |
Cultural pluralism - England |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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1. Cultural Turns: a de-industrialised estate -- 2. Creative Clashes: aesthetics and gentrification -- 3. Colliding Values: civic hope and capital's bind -- 4. New Cool: England's new art museums -- 5. Cultural Codes: art museums and the social order -- 6. New Air: urban spaces and democratic deficits -- 7. Refusals: art and dissent in a period of neoliberalism -- 8. Limits to Culture: art after Occupy. |
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Sommario/riassunto |
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"How can we unmask the vested interests behind capital's 'cultural' urban agenda? Limits to Culture pits grass-roots cultural dissent against capital's continuing project of control via urban planning. Limits to Culture starts by outlining the cultural turn in urban policy which happened between the 1980s and the 2000s, in which new art museums and cultural or heritage quarters lent a creative mask to urban redevelopment. Malcolm Miles challenges the notions of the 'creative class' and 'creative city', and aligns them to gentrification and the elimination of diversity and urban dynamism. He explores the history of cultural urban policy and its antagonistic relationship to community and political art internationally -- across the UK, Europe and the US. In the 1960s creativity was identified with revolt, yet from |
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the 1980s onwards it was subsumed in consumerism, which continued in the 1990s through cool Britannia culture and its international reflections. After the crash of 2008 money became scarcer, meaning that the illusory creative city gave way to reveal its hollow interior, through urban clearances and underdevelopment. Limits to Culture straddles the fields of cultural studies and urban geography and aims to shine a new light into some of the darker corners of the political history of both"--Provided by publisher. |
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