1.

Record Nr.

UNINA9910495712203321

Autore

Andreys Clémence

Titolo

RDA : Culture – critique – crise : Nouveaux regards sur l’Allemagne de l’Est / Emmanuelle Aurenche-Beau, Marcel Boldorf, Ralf Zschachlitz

Pubbl/distr/stampa

Villeneuve d'Ascq, : Presses universitaires du Septentrion, 2019

ISBN

2-7574-2798-9

Descrizione fisica

1 online resource (286 p.)

Altri autori (Persone)

Aurenche-BeauEmmanuelle

Baldauf-QuilliatreHeike

BastianSabine

BoldorfMarcel

CamaradeHélène

GoepperSibylle

Hähnel-MesnardCarola

HerbetDominique

HofmannMichael

JolyHervé

KleinChristian

Lemonnier-LemieuxAnne

Miard-DelacroixHélène

MortierJean

PailhèsAnne-Marie

PougetJean-Michel

RenaudotMyriam

Saint-GilleAnne-Marie

SteinerAndré

ZschachlitzRalf

Soggetti

Social Sciences, Interdisciplinary

RDA

Allemagne de l'Est

histoire allemande

culture allemande

chute du mur

réunification allemande

mémoire

héritage

GDR

East Germany



German history

German culture

Fall of the wall

German reunification

memory

heritage

Germany (East)

Germany (East) Intellectual life

Germany (East) Social conditions

Germany (East) History

Lingua di pubblicazione

Francese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Sommario/riassunto

La chute du Mur et la réunification allemande ont été des éléments marquants de la fin du xxe siècle. Plus de vingt-cinq ans après, quel est le chemin parcouru par l’Allemagne ? Que reste-t-il notamment de la RDA dont la disparition en tant qu’État n’a pas fait disparaître les territoires, les populations, le patrimoine culturel et les mythes fondateurs ? C’est à partir de la triple perspective de « culture, critique, crise » que l’ouvrage tente de savoir comment les Nouveaux Länder ont évolué depuis l’effondrement de la RDA. Regroupant des contributions de spécialistes français et allemands, l’ouvrage tente de porter un regard sur les évolutions du quart de siècle écoulé en offrant un éventail de perspectives allant de l’histoire des idées et de la littérature à la politique et à l’économie en passant par l’histoire des arts et des médias. Il vient ainsi compléter et prolonger la recherche sur la RDA dans une perspective transnationale.  25 years ago, the German Democratic Republic disappeared as a state but what does remain of its heritage? Specialized scholars will try to answer the question in the triple perspective of “crisis – culture – critique”.



2.

Record Nr.

UNINA9910782071303321

Autore

Stix Andi

Titolo

Teachers as Classroom Coaches : How to Motivate Students Across the Content Areas [[electronic resource]]

Pubbl/distr/stampa

Alexandria, VA, USA, : Association for Supervision & Curriculum Development, 20061001

Association for Supervision & Curriculum Development

Descrizione fisica

1 online resource (203 p.)

Disciplina

370.15/4

Soggetti

EDUCATION

Research

Motivation in education

Effective teaching

Theory & Practice of Education

Education

Social Sciences

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph



3.

Record Nr.

UNINA9910404213903321

Autore

M. L. Rodrigues de Areia

Titolo

Angola. Os Símbolos do Poder na Sociedade Tradicional

Pubbl/distr/stampa

Coimbra University Press, 2019

ISBN

989-26-1904-8

Descrizione fisica

1 online resource (100 p.)

Collana

Outros Títulos

Lingua di pubblicazione

Portoghese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Sommario/riassunto

Power neither exists nor stands without symbols. In a space where awareness of ethnic diversity is increasingly tending to revalue the dynamics of the traditional, it is not merely academic to provide a glimpse of the rich symbology elaborated by the different forms of organizing traditional power. This will also be one of the many concrete ways to "gather data to define and illustrate the cultural identity of peoples Bantu, of yesteryear and today," aim "Bantu International Center for Civilization", an organization recently created to study and preserve the cultural heritage common to Africa's Banta. Angola is a field particularly rich in cultural traditions of this kind. In its territory numerous principalities and families were developed in which the power exercised under varied forms of royalty. This diversity sought to account for the selection of exposed objects; In writing texts, however, it was not possible to go beyond the most representative groups: the Kongo (in particular the Woyo subgroup) and the Ovimbundu. Suffering from the vicissitudes of different African histories (pre-colonial, colonial, post-colonial) the symbols of power survived even when confined only to their ritual component. There was even an enlargement determined by the incorporation of acculturated symbols, namely religious ones (crucifix and rosary, among others). The different anthropological collections around the world are in some cases unique testimonies of this "show of power" that only disappeared in appearance as it is still very much alive inside. Some testimonies of



these symbols were collected less than half a century ago (M. A. F. de Oliveira), others are reborn from an apparent state of lethargy taking on new expression (see in particular the growing claim of the role of women in the transformation of Angolan society and the female component of power in the tradition of Kongo - M. L. Rodrigues de Areia); still others manifest themselves in the consistent demand that the holders of power assume themselves as defenders of life and what conditions it - a clear reflection of the traditional concept of the charismatic chief (sacred royalty) to whom the fertility of the fields such as that of women was imputed. women, the occurrence of rain as the scourge of drought. The analysis of the testimonies of traditional royals, which are of the past, must not only raise, besides the inference of the symbolization mechanisms resulting from social structures, also from the past, the ever- present question of the "systems of power and the conditions of its formation and transformation" O. Houart ); on the one hand, they provide the evocation of a past that reaffirms itself as an element of cultural identity; on the other, they justify a new discourse on the exercise of power. [M. L. RODRIGUES DE AREIA]