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1. |
Record Nr. |
UNINA990000089490403321 |
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Autore |
Navone, A. Carlo |
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Titolo |
Passaggio sottomarino attraverso allo stretto di Messina per unire in comunicazione continua il sistema stradale ferroviario siciliano alla rete della penisola : progetto di massima / di A. Carlo Navone |
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Pubbl/distr/stampa |
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Torino, : C. Favale e C., 1870 |
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Descrizione fisica |
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146 p., 2 c. di tav. : ill. ; 25 cm |
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Disciplina |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910495699603321 |
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Autore |
Antonetti Guy |
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Titolo |
D’or et d’argent : La monnaie en France du Moyen Age à nos jours |
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Pubbl/distr/stampa |
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Vincennes, : Institut de la gestion publique et du développement économique, 2020 |
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ISBN |
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Descrizione fisica |
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1 online resource (140 p.) |
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Collana |
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Histoire économique et financière - XIXe-XXe |
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Altri autori (Persone) |
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AsselainJean-Charles |
BretonThierry |
FabiusLaurent |
FavierJean |
PlessisAlain |
TulardJean |
Comité pour l'histoire économique et financière de la France |
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Soggetti |
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Business, Finance |
History |
monnaie |
euro |
économie |
histoire |
réforme monétaire |
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conférence |
vie quotidienne |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Lors de la préparation du passage à l’euro, le Comité pour l’histoire économique et financière de la France a souhaité accompagner cet événement monétaire par une série de conférences intitulée « Les Français et leur monnaie : le louis, le franc, l’euro et les autres ». Cinq historiens de renom - Jean Favier, Guy Antonetti, Jean Tulard, Alain Plessis et Jean-Charles Asselain - ont répondu à l’invitation en offrant aux auditeurs une réflexion sur la monnaie en France du Moyen Âge à nos jours. Une table ronde, réunissant Raymond Barre, Jacques Delors et plusieurs hauts fonctionnaires acteurs des réformes monétaires des trente dernières années, ainsi qu’une allocution de Laurent Fabius, alors ministre de l’Économie, des Finances et de l’Industrie, ont clôturé ce cycle le 18 février 2002, lendemain du retrait de la monnaie nationale. Ces textes accessibles au plus grand nombre, accompagnés de glossaires et d’une chronologie détaillée, offrent des points de repère précis sur l’histoire de la monnaie depuis la naissance du franc en 1360 jusqu’à l’avènement de l’euro. Ces interventions soulignent l’importance de la monnaie comme instrument économique et financier et comme symbole et outil politiques. Elles rappellent également les conséquences des évolutions monétaires successives sur la vie quotidienne des Français. Cet ouvrage, préfacé par Thierry Breton ministre de l’Économie, des Finances et de l’Industrie, intéressera aussi bien les étudiants en histoire économique et financière que les numismates, et plus largement tous ceux qui auront connu la fin du franc. |
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3. |
Record Nr. |
UNINA9910786202303321 |
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Autore |
Peacock James <1970-> |
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Titolo |
Jonathan Lethem / / James Peacock |
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Pubbl/distr/stampa |
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Manchester, UK : , : Manchester University Press, , 2013 |
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©2012 |
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ISBN |
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1-78170-629-8 |
1-84779-465-3 |
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Descrizione fisica |
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1 online resource (200 pages) : digital file(s) |
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Collana |
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Contemporary American and Canadian writers |
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Disciplina |
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Soggetti |
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Literature |
Literary Studies: Fiction, Novelists & Prose Writers |
LITERARY COLLECTIONS / American / General |
Anthologies: general |
Criticism, interpretation, etc. |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Available through ManchesterHive. |
MUP 2020 titles. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Series editor's foreword -- Acknowledgments -- Introduction: Genre collisions and mutations -- 1. Private dicks: science fiction meets detection in Gun, With Occasional Music -- 2. The nightmare of the local: apocalypse on the road in Amnesia Moon -- 3. Alice in the academy: As She Climbed Across the Table -- 4. Far away, so close: Brooklyn goes to space in Girl in Landscape -- 5. 'We learned to tell our story walking': Tourette's and urban space in Motherless Brooklyn -- 6. Mixed media: graffiti, writing and coming-of-age in The Fortress of Solitude -- 7. 'Hiding in plain sight': reality and secrecy in You Don't Love Me Yet and Chronic City -- Conclusion -- Bibliography -- Index. |
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Sommario/riassunto |
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Jonathan Lethem is the first full-length study dedicated to the work of an exciting, genre-busting contemporary writer with an increasingly high profile in American literature. Examining all of Lethem's novels, as well as a number of his short fictions, essays and critical works, this study shows how the author's prolific output, his restlessness and his |
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desire always to be subverting literary forms and genres, are consistent with his interest in subcultural identities. The human need to break off into small groupings, subcultures or miniature utopias is mirrored in the critical tendency to enforce generic boundaries. To break down the boundaries between genres, then, is partly to make a nonsense of critical distinctions between 'high' and 'low' literature, and partly to reflect the wider need to recognise difference, to appreciate that other people, no matter how outlandish and alien they may appear, share similar desires, experiences and problems. With this in mind, James Peacock argues that Lethem's experiments with genre are not merely games or elaborate literary jokes, but ethical necessities, particularly when viewed in the light of the losses and traumas that shadow all of his writing. Jonathan Lethem, therefore, makes an important contribution not just to Lethem studies, but also to debates about genre and its position in postmodern or 'post-postmodern' literature. It will be of interest to all scholars and students of contemporary American writing, as well as those interested in genre fiction and literature's relationship with subcultures. |
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