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1. |
Record Nr. |
UNINA9910453749803321 |
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Autore |
Moss Leonard <1931-> |
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Titolo |
The tragic paradox / / Leonard Moss |
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Pubbl/distr/stampa |
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Lanham, Maryland : , : Lexington Books, , 2012 |
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©2012 |
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ISBN |
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Descrizione fisica |
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1 online resource (260 p.) |
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Disciplina |
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Soggetti |
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Tragedy - History and criticism |
Paradox in literature |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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THE TRAGIC PARADOX; Contents; Acknowledgments; Introduction: The Languages of Paradox; Part I: The Narrative Language; 1. The Masculine Model; 2. The Tragic Female; 3. The Tragic Sequence; 4. Shakespeare's Dangerous Companion; 5. The Relevance of Hegel; Part II: The Metaphorical Language; 6. The Artistry of Flux; 7. The Logic of Dreams; Part III: The Rhetorical Language; 8. Plato's Paragon; 9. Milton's Potpourri; 10. Shakespeare's Paradox; Conclusion: The Truth of Tragedy; Notes; Two Bibliographies, 1900-2010; Index; About the Author |
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Sommario/riassunto |
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How do an author's techniques establish the recurring paradox raised by the tragic genre? I have called upon the valuable arguments offered by Plato, Aristotle, Hegel, and Nietzsche to help the student and lay reader understand the operation of basic literary languages. But fiction is not philosophy. My study focuses on the narrative sequence, im-ages, and rhetorical devices that embody a dilemma envisioned by prominent tragedians in both the ancient and modern worlds. |
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2. |
Record Nr. |
UNINA9910797100303321 |
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Autore |
Wong Liliane |
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Titolo |
Adaptive reuse : extending the lives of buildings / / Liliane Wong |
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Pubbl/distr/stampa |
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Boston : , : Birkhauser, , [2017] |
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2017 |
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ISBN |
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9783038213130 : (ebk : EbookCentral) |
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Descrizione fisica |
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Disciplina |
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Soggetti |
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Buildings - Remodeling for other use |
Interior architecture |
Architecture and history |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Frontmatter -- Contents -- Preface -- 00. Babel -- 01. New Order: The Frankenstein Syndrome -- 02. Plunder: Erasure & Redemption -- 03. The Quest for Immortality -- 04. Battle of the Immortals -- 05. Immortality Redefined -- 06. Immortality Codified -- 07. Hosts [and Guests] -- 08. Considering DNA -- 09. Ghosts -- 10. Fitting In -- 11. The Impassive Host -- 12. Sited Interventions -- 13. The Mathematics of Reuse -- 14. A New and Distant Frontier -- 15. Second Violin -- Illustration Credits -- About the Author -- Index |
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Sommario/riassunto |
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Bauen im Bestand erfordert mehr als praktische Lösungen und Sicherheit in Stilfragen. Wenn bei der Umnutzung von Bauten die neuen Programme und Funktionen mit Veränderungen verbunden sind, stellt sich die fundamentale Frage, mit welchen Mitteln die Vergangenheit in den Entwurf für die Zukunft integriert werden soll. Auf dem Hintergrund langjähriger Lehrerfahrung gibt dieses Buch eine umfassende Einführung ins architektonische Entwerfen von Umbau-/Umnutzungsprojekten. Es zieht Bildwelten von Frankenstein bis Rem Koolhaas zur Verdeutlichung heran, behandelt Geschichte und Theorie, Bautypologie, Material- und Konstruktionsfragen sowie Aspekte von Denkmalschutz, Urbanistik und Innenarchitektur und stellt so das Bauen im Bestand als ein eigenständiges Gebiet des architektonischen Arbeitens dar. |
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Building in existing fabric requires more than practical solutions and stylistic skills. The adaptive reuse of buildings, where changes in the structure go along with new programs and functions, poses the fundamental question of how the past should be included in the design for the future. On the background of long years of teaching and publishing, and using vivid imagery from Frankenstein to Rem Koolhaas and beyond, the author provides a comprehensive introduction to architectural design for adaptive reuse projects. History and theory, building typology, questions of materials and construction, aspects of preservation, urban as well as interior design are dealt with in ways that allow to approach adaptive reuse as a design practice field of its own right. |
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3. |
Record Nr. |
UNINA9910488738103321 |
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Titolo |
Congoville : Contemporary Artists Tracing Colonial Tracks. Hedendaagse kunstenaars bewandelen koloniale sporen / / Pieter Boons; Sandrine Colard |
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Pubbl/distr/stampa |
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Leuven : , : Leuven University Press, 2021 |
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©2021 |
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Descrizione fisica |
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1 online resource (272 p.) |
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Altri autori (Persone) |
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ColardSandrine |
BoonsPieter |
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Disciplina |
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Soggetti |
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Kolonialismus |
Kunst |
Museum |
Electronic books. |
Antwerpen |
Belgium |
Demokratische Republik Kongo |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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"This publication has been issued on the occasion of the exhibition |
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'Congoville', Middelheim Museum, Antwerp, Belgium (29 May 2021 - 3 October 2021). |
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Sommario/riassunto |
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One hundred years after the founding of the École Coloniale Superieure in Antwerp, the adjacent Middelheim Museum invites Sandrine Colard, researcher and curator, to conceive an exhibition that probes silenced histories of colonialism in a site-specific way. For Colard, the term Congoville encompasses the tangible and intangible urban traces of the colony, not on the African continent but in 21st-century Belgium: a school building, a park, imperial myths, and citizens of African descent. In the exhibition and this adjoining publication, the concept Congoville is the starting point for 15 contemporary artists to address colonial history and ponder its aftereffects as black flâneurs walking through a postcolonial city.00Due to the multitude of perspectives and voices, this book is both a catalogue and a reference work comprised of artistic and academic contributions. Together, the participating artists and invited authors unfold the blueprint of 'Congoville', an imaginary city that still subconsciously affects us, but also encourages us to envision a decolonial utopia.00With contributions by: Pieter Boons, Sandrine Colard, Filip De Boeck, Bas De Roo, Nadia Yala Kisukidi, Sorana Munsya & Leonard Pongo, Herman Van Goethem, Sara Weyns, Nabilla Ait Daoud.00Participating artists: Sammy Baloji, Bodys Isek Kingelez, Maurice Mbikayi, Jean Katambayi, KinAct Collective, Simone Leigh, Hank Willis Thomas, Zahia Rahmani, Ibrahim Mahama, Ângela Ferreira, Kapwani Kiwanga, Sven Augustijnen, Pascale Marthine Tayou, Elisabetta Benassi, Pelagie Gbaguidi.00Exhibition: Middelheim Museum, Antwerp, Belgium (29.5-3.10.2021). |
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