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1. |
Record Nr. |
UNISA996392001703316 |
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Autore |
Valera Cipriano de <1532?-1625.> |
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Titolo |
An ansvvere or admonition to those of the Church of Rome, touching the iubile, proclaimed by the bull, made and set foorth by Pope Clement the eyght, for the yeare of our Lord. 1600. Translated out of French [[electronic resource]] |
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Pubbl/distr/stampa |
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London, : Printed by E. Allde for Iohn VVolfe, [1600] |
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Descrizione fisica |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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A translation of a French translation of: Valera, Cipriano de. Aviso a los de la iglesia romana, sobre la indiccion de jubileÌo, por la bulla del papa Clemente octavo. |
Imprint date from STC. |
Signatures: A-Dâ´. |
Running title reads: An aduertisement to the church of Rome. |
Identified as STC 21304 on UMI microfilm. |
Reproduction of the original in the Henry E. Huntington Library and Art Gallery. |
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Sommario/riassunto |
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2. |
Record Nr. |
UNINA9910303531303321 |
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Titolo |
Elementary school guidance & counseling |
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Pubbl/distr/stampa |
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[Washington, D.C.] : , : American School Counselor Association, , 1967-1997 |
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Falls Church, Virginia : , : American School Counselor Association |
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Alexandria, Virginia : , : American School Counselor Association |
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Descrizione fisica |
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Disciplina |
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Soggetti |
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Counseling in elementary education |
Services personnels aux élèves du primaire |
Educational counseling |
Periodicals. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Periodico |
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Note generali |
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3. |
Record Nr. |
UNINA9910484714503321 |
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Autore |
Jarvis Liam |
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Titolo |
Immersive Embodiment : Theatres of Mislocalized Sensation / / by Liam Jarvis |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
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ISBN |
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Edizione |
[1st ed. 2019.] |
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Descrizione fisica |
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1 online resource (268 pages) |
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Collana |
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Palgrave Studies in Performance and Technology, , 2947-5856 |
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Disciplina |
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Soggetti |
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Theater |
Theater - History |
Performing arts |
Applied Theatre |
Contemporary Theatre and Performance |
Theatre and Performance Arts |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Chapter 1: Introduction -- Chapter 2: Proto-immersive Discourse & the 'Theatrical Condition' -- Chapter 3: The Immersive Promise of Becoming [with] the Other Body -- Chapter 4: Body-swapping: Self-attribution and Body Transfer Illusions (BTIs) -- Chapter 5: 'Empathy Activism' & Bodying Difference in Postdigital Culture: Jane Gauntlett's In My Shoes & BeAnotherLab's The Machine to be Another -- Chapter 6: Touching with a Virtualized Hand: Analogue's Transports -- Chapter 7: The Suffering Avatar: Vicarity & Resistance in Body-tracked Multi-player Gaming -- Conclusion: The Theft of the Dragon Sabre: Bodies at Risk in Digital Reality. |
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Sommario/riassunto |
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This book offers a wide-ranging examination of acts of 'virtual embodiment' in performance/gaming/applied contexts that abstract an immersant's sense of physical selfhood by instating a virtual body, body-part or computer-generated avatar. Emergent 'immersive' practices in an increasingly expanding and cross-disciplinary field are |
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coinciding with a wealth of new scientific knowledge in body-ownership and self-attribution. A growing understanding of the way a body constructs its sense of selfhood is intersecting with the historically persistent desire to make an onto-relational link between the body that 'knows' an experience and bodies that cannot know without occupying their unique point of view. The author argues that the desire to empathize with another's ineffable bodily experiences is finding new expression in contexts of particular urgency. For example, patients wishing to communicate their complex physical experiences to their extended networks of support in healthcare, or communities placing policymakers 'inside' vulnerable, marginalized or disenfranchised virtual bodies in an attempt to prompt personal change. This book is intended for students, academics and practitioner-researchers studying or working in the related fields of immersive theatre/art-making, arts-science and VR in applied performance practices. |
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