1.

Record Nr.

UNINA9910484500103321

Autore

Petrucciani Stefano

Titolo

Theodor W. Adorno's Philosophy, Society, and Aesthetics / / by Stefano Petrucciani

Pubbl/distr/stampa

Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021

ISBN

3-030-71991-X

Edizione

[1st ed. 2021.]

Descrizione fisica

1 online resource (175 pages)

Collana

Marx, Engels, and Marxisms, , 2524-7131

Disciplina

142

193

Soggetti

Political science

Political science - Philosophy

World politics

Political Theory

Political Philosophy

Political History

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Includes index.

Nota di contenuto

1. Introduction -- 2. An Idea of Philosophy -- 3. What Is the Meaning of ‘Negative Dialectics’? -- 4. Dialectics and Metaphysics -- 5. An Outdated Philosophy? Adorno’s Social Critique -- 6. The Concept of Domination -- 7. Is Marx Obsolete? -- 8. The Decay of the Individual -- 9. The Role of the Media and the Manipulated Democracy -- 10. Aesthetic Theory and Critical Praxis -- 11. Adorno’s Engagement with Cultural Criticism -- 12. Myth and Civilisation: Adorno’s Reading of Goethe’s Iphigenia -- 13. Adorno, Habermas, and the Self-Criticism of Modernity.

Sommario/riassunto

This book is a complete presentation of the most important themes of Theodor W. Adorno’s critical theory, and of its relevance for the understanding of the modern society. After an Introduction, which traces Adorno’s biographical and intellectual profile, the book is structured in three parts. The first is devoted to theoretical philosophy, and in particular to the concepts of philosophy, negative dialectics and metaphysics, and his aim is to clarify the Adornian understanding of



such difficult concepts. The second is devoted to the main themes of Adorno’s social theory: the concept of domination, the relationship with Marxism, the theory of the decay of the individual, the critique of mass manipulation. The third part is devoted to aesthetics and culture criticism, and entails a conclusion in which the author outlines a confrontation between the Adornian and the Habermasian critique of modernity. Stefano Petrucciani is Professor of Political Philosophy at the University of Rome La Sapienza. Italy.