1.

Record Nr.

UNINA9910480128403321

Autore

bochnakowa anna

Titolo

Le bon français de la fin du XXe siècle Chronicle du „Figaro" 1996-2000 [[electronic resource]]

Pubbl/distr/stampa

Kraków, : Jagiellonian University Press, 2005

ISBN

83-233-8433-9

Edizione

[1st ed.]

Descrizione fisica

1 online resource (149 p.)

Disciplina

843.89

Soggetti

French language

Language

Linguistics

Electronic books.

Lingua di pubblicazione

Francese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di contenuto

Table des matières; Avant-propos; Introduction; 1-ere partie. Prèliminaires; Entre la norme et ląusage en linguistigue; Language en ètat critique; Institutions de sauvetage; Chroniques de langage; 2-e partie. > - une rubrigue du >; Auteurs; Presentation du corpus; Prononciation; Ortographe; Morphologie; Lexique; Correction; Explications et commentaires; 3-e partie. Rècapitulation; Queiques chiffres; Dètails lingustiques traitès; Actualitè reflètèe dans la langue; Image du >; Conclusion; Bibliographie; Index des mots et locutions

Liste chronologique de la rubrique > septembre 1996 - dècembre 2000)

Sommario/riassunto

Les chroniques de langage publiées dans les journaux restent toujours un témoignage précieux pour un historien de la langue. Celles qui sont accueillies, depuis bientôt une dizaine d'années, dans la rubrique Le bon français dans «Le Figaro», tracent une image vivante et passionnée du français actuel. Plusieurs auteurs décrivent, critiquent et corrigent  les faits de langue que l'usage impose. Leurs «billets d'humeur», souvent pleins d'humour et d'ironie, instruisent et amusent. A travers les observations relatives à la langue,  l'image de la société contemporaine se laisse percevoir, dessinée



2.

Record Nr.

UNINA9910483501503321

Titolo

The Object of Comedy : Philosophies and Performances / / edited by Jamila M. H. Mascat, Gregor Moder

Pubbl/distr/stampa

Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019

ISBN

9783030277420

3030277429

Edizione

[1st ed. 2019.]

Descrizione fisica

1 online resource (300 pages) : illustrations

Collana

Performance Philosophy, , 2057-7176

Disciplina

809.2523

809.917

Soggetti

Theater - History

Performing arts

Theater

Philosophy

Contemporary Theatre and Performance

Theatre and Performance Arts

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Section 1 - Comic Philosophy -- Chapter 1. The uncanny and the comic. Freud avec Lubitsch - Mladen Dolar -- Chapter 2. How They Fought - Sandra Laugier -- Chapter 3. Hegel and the Misadventures of Consciousness. On Comedy and Revolutionary Partisanship - Jamila M. H. Mascat -- Chapter 4. The Aborted Object of Comedy & the Birth of the Subject. Socrates and Aristophanes' Alliance - Rachel Aumiller -- Section 2 - Comic Psychoanalysis -- Chapter 5. The Three Moments of Comedy - Robert Pfaller -- Chapter 6. From Objects of Desire to Objects of Comedy in Chaplin's Modern Times - Alfie Bown -- Chapter 7. Where Does Dirt Come From? - Alenka Zupančič -- Section 3 - Screening Comedy -- Chapter 8. Seriously Funny: Comedy and Authority in The Boss of it All - Benjamin Noys -- Chapter 9. Stoicism, Causality, Divine Providence and Comedy in Buster Keaton's The General - Lisa Trahair -- Chapter 10. Bad Cops - Todd McGowan -- Section 4 - Performing Comedy -- Chapter 11. Richard Pryor, the



Conedian - Alexi Kukuljevic -- Chapter 12. Comedy as Performance - Gregor Moder -- Chapter 13. After Death Comes Humour. On the Poetics of Alexander Vvedensky - Keti Chukhrov -- Chapter 14. Asking for It. An exchange - Cassandra Seltman and Vanessa Place -- Chapter 15. Of Organic Comedies. Interview with Romeo Castellucci - Jamila M.H. Mascat.

Sommario/riassunto

What is the object of comedy? What makes us laugh and why? Is comedy subversive, restorative or reparative? What is at stake politically, socially and metaphysically when it comes to comedic performances? This book investigates not only the object of comedy but also its objectives - both its deliberate goals and its unintended side effects. In researching the object of comedy, the contributions gathered here encounter comedy as a philosophical object: instead of approaching comedy as a genre, the book engages with it as a language, a medium, an artifice, a weapon, a puzzle or a trouble, a vocation and a repetition. Thus philosophy meets comedy at the intersection of various fields (e.g. psychoanalysis, film studies, cultural studies, and performance studies) -regions that comical practices and theories in fact already traverse.