Community art : an anthropological perspective / / Kate Crehan

• Record Nr.: UNINA9910463178203321
• Autore: Crehan Kate A. F.
• Pubbl/distr/stampa: Abingdon, Oxon ; ; New York, NY : , : Routledge, Taylor & Francis Group, , 2020
• ISBN: 1-000-18159-6; 1-000-18477-3; 1-003-08498-2; 1-4742-1462-2; 0-85785-316-3; 0-85785-055-5
• Edizione: [English ed.]
• Descrizione fisica: 1 online resource (229 p.)
• Disciplina: 700.1/03
• Soggetti: Artists and community - Great Britain; Electronic books.
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: "First published in 2011 by Berg Publishers."
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Cover; Contents; List of Figures; Acknowledgements; Preface; I: THE REJECTION; 1 Art Inside and Outside the Gallery; The Art World; Art with a Capital A; The Art World and Common Sense; Charges and Briefs; II: THE SHAPING; 2 Moving beyond the Gallery; Beginnings; An Art World Brief; Into the 'Community'; A Warmly Persuasive Word; Back to the Art World; 'What's It For, Mister?'; Freedom and Structure; Fun Events v. Artism Lifeism; 3 From Performance to the Environment; 'I'm Afraid This Whole Horrible Box Takes Priority'; From Visual Systems to Free Form Arts Trust; Performance; Dead Fish and Totem PolesThe Environmental Turn; 4 Community Arts and the Democratization of Expertise; The Rise and Fall of Community Arts and Community Architecture; Early Environmental Work in Hackney; Providing Access to Expertise; 5 Responding to Local Needs: Goldsmiths; Football and Mosiacs; Of Distraction and Expression; 6 Making Art Collaboratively: Provost; Paths and Plantings; The Mural; 'Everybody Was Involved in the Mural'; The View from the Arts Council; 7 Theoretical and Political Locations; Artists and Ethnography; Locating ; the Free Form Artists; The Coming of the Audit Culture; III: INTO THE TWENTY-FIRST CENTURY8 Free Form in 2004; A Professional Organization; The Norwich Commission; The Catton Grove Brief; 9 A Carnival and a Standing Stone; The Catton Clear Day Carnival; The Fiddlewood Project; The End of the Journey; Conclusion: Of Art and Community; Artists in the 'Community'; New Genre Public Art; The Free Artist and the 'Nonexclusive Audience'; Community Art and the 'Community'; References; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y
• Sommario/riassunto: Exploring key issues for the anthropology of art and art theory, this fascinating text provides the first in-depth study of community art from an anthropological perspective.The book focuses on the forty year history of Free Form Arts Trust, an arts group that played a major part in the 1970s struggle to carve out a space for community arts in Britain. Turning their back on the world of gallery art, the fine-artist founders of Free Form were determined to use their visual expertise to connect, through collaborative art projects, with the working-class people excluded by the established art world. In seeking to give the residents of poor communities a greater role in shaping their built environment, the artists' aesthetic practice would be transformed.Community Art examines this process of aesthetic transformation and its rejection of the individualized practice of the gallery artist. The Free Form story calls into question common understandings of the categories of "art," "expertise," and "community," and makes this story relevant beyond late twentieth-century and early twenty-first-century Britain.

Multiparty Elections in Authoritarian Regimes : Explaining their Introduction and Effects / / by Susanne Michalik

• Record Nr.: UNINA9910483501003321
• Autore: Michalik Susanne
• Pubbl/distr/stampa: Wiesbaden : , : Springer Fachmedien Wiesbaden : , : Imprint : Springer VS, , 2015
• ISBN: 3-658-09511-3
• Edizione: [1st ed. 2015.]
• Descrizione fisica: 1 online resource (157 p.)
• Collana: Studien zur Neuen Politischen Ökonomie, , 2627-1192
• Disciplina: 300; 320; 327; 339.5
• Soggetti: Economics; Comparative government; International relations; International Political Economy; Comparative Politics; International Relations
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di contenuto: The Introduction of Multiparty Elections in Authoritarian Regimes -- Authoritarian Multiparty Elections: Boon or Bane for Public Policies? -- Foreign Aid for Multiparty Authoritarian Regimes.
• Sommario/riassunto: Susanne Michalik analyzes why authoritarian regimes allow for multiparty elections and how they affect political outcomes. Even though their introduction rarely leads to a change in power, such elections should not be regarded as mere window-dressing. She argues that competitive elections are installed to deal with a split among the incumbent elite and to facilitate the formation of a new ruling coalition. In a cross-national study the author finds that elections matter and the ruling party does more than just manipulate election results in order to be reelected. Incumbents provide a mix of public goods and targeted public goods depending on the level of electoral competition they are experiencing. The outcome of authoritarian multiparty elections in the ; form of the legislature’s party composition also has an effect on the regime’s international relations in the form of foreign aid allocation. Contents The Introduction of Multiparty Elections in Authoritarian Regimes Authoritarian Multiparty Elections: Boon or Bane for Public Policies? Foreign Aid for Multiparty Authoritarian Regimes Target Groups Researchers and students in the fields of political science and economics Journalists, diplomats, international cooperation workers The Author Susanne Michalik is working as a researcher at the Federal Statistical Office (Destatis).