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Record Nr. |
UNINA9910483052003321 |
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Titolo |
Shōjo Across Media : Exploring "Girl" Practices in Contemporary Japan / / edited by Jaqueline Berndt, Kazumi Nagaike, Fusami Ogi |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
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ISBN |
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Edizione |
[1st ed. 2019.] |
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Descrizione fisica |
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1 online resource (401 pages) |
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Collana |
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East Asian Popular Culture, , 2634-5935 |
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Disciplina |
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791.43652055 |
305.230820952 |
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Soggetti |
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Ethnology—Asia |
Communication |
Sociology |
Motion pictures—Asia |
Asia—Politics and government |
Asian Culture |
Media and Communication |
Gender Studies |
Asian Cinema and TV |
Asian Politics |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Part I: Shōjo Manga -- 1. Romance of the Taishō School Girl in Shōjo Manga: Here Comes Miss Modern (Alisa Freedman) -- 2. Redefining Shōjo and Shōnen Manga through Language Patterns (Giancarla Unser-Schutz) -- 3. Shōjo Manga Beyond Shōjo Manga: The “Female Mode of Address” in Kabukumon (Olga Antononoka) -- Part II: Shōjo beyond Manga -- 4. Practicing Shōjo in Japanese New Media and Cyberculture: Analyses of the Cell Phone Novel and Dream Novel (Kazumi Nagaike and Raymond Langley) -- 5. The Shōjo in the Rōjo: Enchi Fumiko’s Representation of the Rōjo Who Refused to Grow Old (Sohyun Chun) -- 6. Mediating Otome in the Discourse of War Memory: Complexity of Memory-Making through Postwar Japanese War Films (Kaori Yoshida) -- 7. Shōjo in Anime: Beyond the Object of Men’s Desire(Akiko |
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Sugawa-Shimada) -- Part III: Shōjo Performances -- 8. A Dream Dress for Girls: Milk, Fashion and Shōjo Identity (Masafumi Monden) -- 9. Sakura ga meijiru—Unlocking the Shōjo Wardrobe: Cosplay, Manga, 2.5D Space(Emerald L. King) -- 10. Multilayered Performers: The Takarazuka Musical Revue as Media (Sonoko Azuma, Translated by Raymond Langley and Nick Hall) -- 11. Sounds and Sighs: “Voice Porn” for Women (Minori Ishida, Translated by Nick Hall) -- Part IV: Shōjo Fans -- 12. From Shōjo to Bangya(ru): Women and Visual Kei (Adrienne Johnson) -- 13. Shōjo Fantasies of Inhabiting Cool Japan: Reimagining Fukuoka Through Shōjo and Otome Ideals with Cosplay Tourism(Craig Norris) -- 14. Seeking an Alternative: “Male” Shōjo Fans since the 1970s (Patrick W. Galbraith). |
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Sommario/riassunto |
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Since the 2000s, the Japanese word shōjo has gained global currency, accompanying the transcultural spread of other popular Japanese media such as manga and anime. The term refers to both a character type specifically, as well as commercial genres marketed to female audiences more generally. Through its diverse chapters this edited collection introduces the two main currents of shōjo research: on the one hand, historical investigations of Japan’s modern girl culture and its representations, informed by Japanese-studies and gender-studies concerns; on the other hand, explorations of the transcultural performativity of shōjo as a crafted concept and affect-prone code, shaped by media studies, genre theory, and fan-culture research. While acknowledging that shōjo has mediated multiple discourses throughout the twentieth century—discourses on Japan and its modernity, consumption and consumerism, non-hegemonic gender, and also technology—this volume shifts the focus to shōjo mediations, stretching from media by and for actual girls, to shōjo as media. As a result, the Japan-derived concept, while still situated, begins to offer possibilities for broader conceptualizations of girlness within the contemporary global digital mediascape. |
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