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1. |
Record Nr. |
UNINA9910482368403321 |
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Autore |
Cesalpino Andrea <1524 or 1525-1603.> |
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Titolo |
Praxis universae artis medicae, generalium aeque, ac particularium humani corporis praeter naturam affectuum dignotionem, juditium et curam omnium uberrimè complectens, summo labore, et studio concinata, & unum recenter in volumen collecta ... / [Andrea Cesalpino] [[electronic resource]] |
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Pubbl/distr/stampa |
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Treviso, : Roberto Meietti, 1606 |
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Descrizione fisica |
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Online resource ([8] l., 715 p. : t.p. in red & black , (8vo)) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Reproduction of original in The Wellcome Library, London. |
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2. |
Record Nr. |
UNINA9910967727303321 |
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Autore |
Pilinska Anna |
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Titolo |
Lolita between Adaptation and Interpretation : From Nabokov's Novel and Screenplay to Kubrick's Film / / by Anna Pilińska |
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Pubbl/distr/stampa |
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Newcastle-upon-Tyne : , : Cambridge Scholars Publishing, , 2015 |
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ISBN |
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Descrizione fisica |
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1 online resource (152 pages) |
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Altri autori (Persone) |
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NabokovVladimir Vladimirovich <1899-1977.> |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Acknowledgements -- Abbreviations -- Introduction -- Chapter One The Plot on Paper: The Nabokovian Nymphet & Co. -- Chapter Two The Plot on Screen: The Kubrickian Kitten & Co. -- Chapter Three The Handling of the Characters -- Chapter Four The Postmodern Game: The Problem of Intertextuality -- Conclusions -- Notes -- Bibliography |
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Sommario/riassunto |
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This book offers a comparative analysis of three versions of Vladimir Nabokov's Lolita: namely, the original novel (1955), the script written by the novelist himself and published as Lolita: A Screenplay (1974), and Stanley Kubrick's film based on Lolita's storyline (1962). Kubrick's final product oscillates between adaptation and interpretation, as it draws from both Nabokov's novel and script, but also uses the improvisational talents of the cast, eventually rendering the director's firm auteurial hand clearly visible throughout the film. The book analyses how various additions and subtraction |
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