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1. |
Record Nr. |
UNINA9910482114703321 |
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Autore |
Guilelmus de Gouda <approximately 1455-approximately 1490.> |
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Titolo |
Tractatus de expositione missae Editus a venerabili fratre Guilhelmo de gouda, ordinis minorum de obseruantia [[electronic resource]] |
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Pubbl/distr/stampa |
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Netherlands, : [s.n.], 1490 |
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Descrizione fisica |
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Online resource (18 bl, 4°) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Reproduction of original in Koninklijke Bibliotheek, Nationale bibliotheek van Nederland. |
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2. |
Record Nr. |
UNINA9910795326603321 |
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Autore |
Jáuregui Carlos A. |
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Titolo |
Emiliano Zapata : 100 años, 100 fotos = Emiliano Zapata : 100 years, 100 photographs / / Carlos A. Jáuregui, David M. Solodkow, Karina Herazo Ardila (autores compiladores) |
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Pubbl/distr/stampa |
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Bogotá, D.C., Colombia : , : Ediciones Uniandes |
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Ciudad de México, México : , : Casasola México, , [2022] |
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ISBN |
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Edizione |
[Primera edición.] |
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Descrizione fisica |
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1 online resource : photographs |
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Collana |
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Soggetti |
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Revolutionaries - Mexico |
Mexico History Revolution, 1910-1920 Pictorial works |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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“Universidad de los Andes, Facultad de Artes y Humanidades.” |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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CUBIERTA.pdf -- P ginas internas Emiliano Zapata.pdf -- INTRO.1-3 -- 4-9 -- _GoBack -- INGLÉS -- _3o7alnk -- _23ckvvd -- _ihv636 -- _32hioqz -- _1hmsyys -- _41mghml -- _vx1227 -- _3fwokq0. |
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Sommario/riassunto |
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Este catálogo recoge una serie de exposiciones (Colombia, México, Estados Unidos y el Reino Unido) que conmemoraron el centenario del asesinato de Emiliano Zapata (1879-1919), mediante la instalación artística de una serie de fotografías provenientes de la Colección Gustavo Casasola y otros acervos públicos y privados mexicanos. Aunque hoy Zapata es una suerte de imagen emblemática de la Revolución Mexicana e impulsó la más importante de sus agendas (el agrarismo), hasta su muerte fue visto, incluso por otros revolucionarios, como una suerte de oscuro "Atila" enemigo de la civilización. Muchas fotografías de la época pretendieron ilustrar el salvajismo, suciedad y violencia irracional de los zapatistas. Luego, el Estado mexicano devino "zapatista" y se apropió de esas reivindicaciones sociales e hizo uso mediático de las imágenes de esos "otros" que alegaba representar. La rememoración nacionalista de Zapata paradójicamente sepulta la tradición de los oprimidos (damos cuenta de esto en el catálogo). En contraste, presentamos una serie de imágenes anómalas como las tomadas por los propios zapatistas, así como varias de mujeres e incluso de un revolucionario zapatista transgénero que problematizan las representaciones tradicionales de la Revolución. Este catálogo quiere desplegar una política de la empatía con quienes, como Zapata, quisieron descarrilar el tren de mil injusticias que siguen sucediendo. Antes que la conmemoración de una muerte, quisiéramos recuperar la potencia afectiva de la memoria visual para celebrar la vida y los reclamos de quienes fueron puestos en la fosa común de la historia o sepultados --como Zapata-- bajo pesados monumentos. This catalog commemorates the 100-year anniversary of the assassination of Emiliano Zapata (1879-1919). It collects the material presented in a series of exhibitions of photographs (Colombia, Mexico, |
USA and UK) from the Gustavo Casasola Collection and other public and private archives. Although today Zapata is something of a posterboy of the Mexican Revolution, at the time he was portrayed--even by some of his fellow revolutionaries--as a dark-skinned bandit, a sort of "Attila", an enemy of civilization. Many photographs of Zapatistas were initially used to illustrate the alleged filth, savagery, and irrationality of Southern revolutionaries. Later on, the Mexican state itself became "Zapatista": it not only appropriated the agrarian and social demands of the Army of the South but also instrumentalized and circulated images of those revolutionary "others" that the government supposedly represented. The nationalistic remembrance of Zapata has paradoxically buried the tradition of the oppressed. In opposition to this appropriation by the State, we present a series of relatively anomalous images such as those taken by the Zapatistas themselves, as well as several images of women and of a transgender Zapatista that problematize typical representations of the Revolution. Rather than commemorating death, this catalog wants to spark the affective power of visual memory to celebrate the claims and lives of those who were dumped in the common grave of history or buried--like Zapata--under heavy monuments. |
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3. |
Record Nr. |
UNINA9910963941703321 |
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Autore |
Mollan R. Charles |
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Titolo |
William Parsons, 3rd Earl of Rosse : Astronomy and the castle in nineteenth-century Ireland |
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Pubbl/distr/stampa |
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Oxford : , : Manchester University Press, , 2015 |
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Baltimore, Md. : , : Project MUSE, , 2020 |
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©2015 |
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ISBN |
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9781526101938 |
1526101939 |
9781526101921 |
1526101920 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (391 pages) : illustrations |
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Collana |
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Royal Dublin society--Science and Irish culture series William Parsons, 3rd Earl of Rosse |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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FIVE: Negotiating 'a difficult sectarian terrain': the public life and political opinions of the 3rd Earl of RosseSIX: A consummate engineer; SEVEN: Birr Castle observations of non-stellar objects and the development of nebular theories; EIGHT: William Parsons and the Irish nineteenth-century tradition of independent astronomical research; NINE: 'A presiding influence': the relations of the 3rd Earl of Rosse with scientific institutions in Britain and Ireland; TEN: The 3rd Earl of Rosse: an assessment; Select bibliography; Index. |
WILLIAM PARSONS, 3RD EARL OF ROSSE: Astronomy and the castle in nineteenth-century Ireland; Half Title Page; Title Page; Copyright; Dedication; Contents; Illustrations; Contributors; Foreword; Preface: why this book?; Acknowledgements; Introduction; Succession of the Parsons family at Birr; ONE: History of the Parsons family1 and Birr Castle; TWO: Origin of the 3rd Earl's interest in astronomy; THREE: Mary, Countess of Rosse (1813-85); FOUR: William Parsons' influence on the town and community of Birr. |
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Sommario/riassunto |
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This is a revealing account of the family life and achievements of the |
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Third Earl of Rosse, a hereditary peer and resident landlord at Birr Castle, County Offaly, in nineteenth-century Ireland, before, during and after the devastating famine of the 1840s. He was a remarkable engineer, who built enormous telescopes in the cloudy middle of Ireland. The book gives details, in an attractive non-technical style which requires no previous scientific knowledge, of his engineering initiatives and the astronomical results, but also reveals much more about the man and his contributions - locally in the. |
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