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1. |
Record Nr. |
UNINA9910481385603321 |
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Autore |
Cataneo Girolamo |
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Titolo |
Modo di formare con prestezza le moderne battaglie di picche, archibugieri, et caualleria; con tre auisi del modo del marchiare; in modo di dialogo. Di nuouo dato in luce per Girolamo Cataneo nouarese [[electronic resource]] |
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Pubbl/distr/stampa |
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Descrizione fisica |
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Online resource ([4], 30 [i.e. 27], [1] c., [3] c. di tav. ripieg., 4°) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Reproduction of original in Biblioteca Nazionale Centrale di Firenze. |
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2. |
Record Nr. |
UNINA9910716851703321 |
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Autore |
Culmo Michael P. |
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Titolo |
Engineering design, fabrication, and erection of Prefabricated Bridge Elements and Systems |
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Pubbl/distr/stampa |
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[Washington, D.C.] : , : U.S. Department of Transportation, Federal Highway Administration, Highways for Life, , 2013 |
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Descrizione fisica |
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1 online resource (xxi, 325 pages) : color illustrations |
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Soggetti |
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Prefabricated bridges - United States - Design and construction |
Prefabricated bridges - Materials - United States |
Precast concrete construction - United States |
Highway engineering - United States |
Bridges - United States - Foundations and piers |
Handbooks and manuals. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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"Publication no. FHWA-HIF-17-019." |
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"Publication date: June 2013." |
"Author(s): Michael Culmo [and five others]"--Technical report documentation page. |
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3. |
Record Nr. |
UNINA9910777514903321 |
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Autore |
White Michele <1962-> |
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Titolo |
The body and the screen : theories of Internet spectatorship / / Michele White |
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Pubbl/distr/stampa |
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Cambridge, Mass., : MIT Press, ©2006 |
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ISBN |
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0-262-29288-2 |
1-282-09838-1 |
9786612098383 |
0-262-28605-X |
1-4237-9030-8 |
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Descrizione fisica |
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1 online resource (320 p.) |
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Disciplina |
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Soggetti |
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Internet - Philosophy |
Cyberfeminism |
Art and technology |
Human-computer interaction |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references (p. [273]-296) and index. |
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Sommario/riassunto |
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"Internet and computer users are often represented onscreen as active and empowered--as in AOL's striding yellow figure and the interface hand that appears to manipulate software and hypertext links. In The Body and the Screen Michele White suggests that users can more properly be understood as spectators rendered and regulated by technologies and representations, for whom looking and the mediation of the screen are significant aspects of engagement. Drawing on apparatus and feminist psychoanalytic film theories, art history, gender studies, queer theory, critical race and postcolonial studies, and other theories of cultural production, White conceptualizes Internet and |
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computer spectatorship and provides theoretical models that can be employed in other analyses. She offers case studies and close visual and textual analysis of the construction of spectatorship in different settings. White shows that despite the onscreen promise of empowerment and coherence (through depictions of materiality that structure the experience), fragmentation and confusion are constant aspects of Internet spectatorship. She analyzes spectatorship in multi-user object-oriented settings (MOOs) by examining the textual process of looking and gazing, contrasts the experiences of the women's webcam spectator and operator, describes intentional technological failures in net art, and considers ways in which traditional conceptions of artistry, authorship, and production techniques persist in Internet and computer settings (as seen in the creation of virtual environment avatars and in digital imaging art). Finally, she analyzes the physical and psychic pain described by male programmers in Internet forums as another counternarrative to the common tale of the empowered user. Spectatorship, White argues, not only affects the way specific interfaces are understood but also helps shape larger conceptions of self and society."--Publisher's website. |
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