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1. |
Record Nr. |
UNINA9910480804403321 |
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Autore |
Stillar Glenn F |
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Titolo |
Analyzing everyday texts [[electronic resource] ] : discourse, rhetoric, and social perspectives / / Glenn F. Stillar |
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Pubbl/distr/stampa |
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Thousand Oaks, Calif. ; ; London, : SAGE, c1998 |
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ISBN |
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0-7619-0060-8 |
1-322-41543-9 |
1-4522-6358-2 |
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Descrizione fisica |
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1 online resource (217 p.) |
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Collana |
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Rhetoric and society ; ; v. 3 |
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Disciplina |
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Soggetti |
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Discourse analysis |
Rhetoric |
Sociolinguistics |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 197-199) and index. |
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Nota di contenuto |
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Cover; Contents; Foreword; Acknowledgments; Chapter 1 - Everyday Texts; Chapter 2 - The Resources of Discourse Analysis; Chapter 3 - The Resources of Rhetorical Theory; Chapter 4 - The Resources of Social Theory; Chapter 5 - Text Instances and Critical Practices; Chapter 6 - Integrating Theoretical Resources and Critical Practices; References; Index; About the Author |
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Sommario/riassunto |
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This book describes the resources which can be drawn from discourse analysis, rhetorical theory and social theory and also provides a comprehensive and well-illustrated framework for the analysis of everyday texts. |
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2. |
Record Nr. |
UNISA996280503503316 |
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Titolo |
IEEE Std 1076.4-2000 : IEEE Standard for VITAL ASIC (Application Specific Integrated Circuit) Modeling Specification / / 2001 |
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Pubbl/distr/stampa |
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New York : , : IEEE, , 2001 |
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ISBN |
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Descrizione fisica |
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1 online resource (vii, 420 pages) |
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Disciplina |
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Soggetti |
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Application specific integrated circuits |
Application-specific integrated circuits - Design and construction |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910778220603321 |
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Autore |
Carson Anne <1950-> |
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Titolo |
Economy of the unlost [[electronic resource] ] : reading Simonides of Keos with Paul Celan / / Anne Carson |
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Pubbl/distr/stampa |
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Princeton, N.J., : Princeton University Press, c1999 |
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ISBN |
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1-4008-0111-7 |
1-4008-1119-8 |
1-282-15816-3 |
9786612158162 |
1-4008-2315-3 |
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Edizione |
[Core Textbook] |
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Descrizione fisica |
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1 online resource (156 p.) |
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Collana |
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Martin classical lectures. New series |
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Disciplina |
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Soggetti |
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Comparative literature - Greek and German |
Comparative literature - German and Greek |
Economics in literature |
Aesthetics |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 135-143) and index. |
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Nota di contenuto |
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Frontmatter -- Contents -- Note on Method -- PROLOGUE. False Sail -- Chapter I. Alienation -- Chapter II. Visibles Invisibles -- Chapter III. Epitaphs -- Chapter IV. Negation -- Epilogue. All Candled Things -- Bibliography -- Index |
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Sommario/riassunto |
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The ancient Greek lyric poet Simonides of Keos was the first poet in the Western tradition to take money for poetic composition. From this starting point, Anne Carson launches an exploration, poetic in its own right, of the idea of poetic economy. She offers a reading of certain of Simonides' texts and aligns these with writings of the modern Romanian poet Paul Celan, a Jew and survivor of the Holocaust, whose "economies" of language are notorious. Asking such questions as, What is lost when words are wasted? and Who profits when words are saved? Carson reveals the two poets' striking commonalities. In Carson's view Simonides and Celan share a similar mentality or disposition toward the world, language and the work of the poet. Economy of the Unlost begins by showing how each of the two poets stands in a state of alienation between two worlds. In Simonides' case, the gift economy of fifth-century b.c. Greece was giving way to one based on money and commodities, while Celan's life spanned pre- and post-Holocaust worlds, and he himself, writing in German, became estranged from his native language. Carson goes on to consider various aspects of the two poets' techniques for coming to grips with the invisible through the visible world. A focus on the genre of the epitaph grants insights into the kinds of exchange the poets envision between the living and the dead. Assessing the impact on Simonidean composition of the material fact of inscription on stone, Carson suggests that a need for brevity influenced the exactitude and clarity of Simonides' style, and proposes a comparison with Celan's interest in the "negative design" of printmaking: both poets, though in different ways, employ a kind of negative image making, cutting away all that is superfluous. This book's juxtaposition of the two poets illuminates their differences--Simonides' fundamental faith in the power of the word, Celan's ultimate despair--as well as their similarities; it provides fertile ground for the virtuosic interplay of Carson's scholarship and her poetic sensibility. |
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4. |
Record Nr. |
UNINA9910437653703321 |
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Autore |
Mahrenholz Simone |
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Titolo |
Kreativität : Eine philosophische Analyse / / Simone Mahrenholz |
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Pubbl/distr/stampa |
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De Gruyter, 2011 |
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Berlin : , : Akademie Verlag, , [2012] |
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©2011 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (295 p.) |
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Classificazione |
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Disciplina |
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Soggetti |
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Creative ability - Philosophy |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front Matter -- 1. Einleitung Der Forschungsgegenstand - die Grundfrage -- 2. Wie ist Kreativität möglich? Hauptthese der Arbeit -- 3. Historischer Hauptteil I: Antike Verbinden und Unterscheiden - Vom Eros zur Kritik -- 4. Historischer Hauptteil II: Aufstieg und Bruch der epistemischen Stufenleiter vom späten 17. zum frühen 19. Jahrhundert -- 5. Systematischer Hauptteil I: Die Logik der Zeichen und die Logik des Denkens. Vom anbrechenden Informationszeitalter zur zeichen- und medial vermittelten Gegenwart: Nelson Goodman und Fred Dretske -- 6. Systematischer Hauptteil II. Kreativität als kalkulierter Kategorienfehler. Logische Typen und Typen der Logik: Gregory Bateson -- 7. Zusammenfassung und Ausblick -- 8. Schlußwort -- Back Matter |
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Sommario/riassunto |
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"Kreativität" ist ein sehr junger Begriff und ein sehr altes Phänomen. Sie gilt als unaufklärbares Rätsel, als eine Art "Black Box" des Denkens. Dem kollektiven Bewußtsein zufolge ist sie etwas Rares, Flüchtiges, strapaziös zu erzielen und nur wenige Glückliche begünstigend. Das vorliegende Buch präsentiert eine logische Grundidee zur Entstehung von schöpferisch Neuem - Elemente aus der Informations-, Kommunikations- und Medientheorie verbindend. Diese "Formel" wird an philosophischen Stationen von der Antike bis zur Gegenwart erprobt und weiterentwickelt. Kreativität zeigt sich als ein |
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Transformationsphänomen, welches das Denken auf eine andere logische Ebene führt und kategoriale Grenzen kollabieren läßt. Im Ergebnis ist sie nichts per Definition Abwesendes, erreichbar nur über den Umweg von unverfügbarer Gunst, weltabgewandter Passion oder verborgenen Tricks. Kreativität ist vielmehr omnipräsent, schöpferische Energien sind nur mit großem Aufwand zu unterdrücken, und die Frage, wie man sie erreicht, wird zur Frage, wie man ihr eine optimale Basis bereitet, ohne sie wesentlich zu behindern. |
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