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1. |
Record Nr. |
UNINA990009657630403321 |
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Autore |
Saint Alary Houin, Corinne |
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Titolo |
Le droit de preemption / Corinne Saint-Alary-Houin |
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Pubbl/distr/stampa |
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Paris : Librairie generale de droit et de jurisprudence, 1979 |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910460231003321 |
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Titolo |
The director within : storytellers of stage and screen / / photographs and text by Rose Eichenbaum ; edited by Aron Hirt-Manheimer ; Richard Hendel, design |
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Pubbl/distr/stampa |
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Middletown, Connecticut : , : Wesleyan University Press, , 2014 |
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©2014 |
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ISBN |
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Descrizione fisica |
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1 online resource (475 p.) |
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Disciplina |
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Soggetti |
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Theatrical producers and directors - United States |
Motion picture producers and directors - United States |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Foreword -- Preface -- Peter Bogdanovich -- Arthur Hiller -- Mark Rydell -- Rob Marshall -- Kathleen Marshall -- Doug Hughes -- Julie Taymor -- Gary Ross -- Rod Lurie -- Robert Benton -- Paul Mazursky -- Reginald Hudlin -- James Burrows -- Jay Sandrich -- James L. |
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Brooks -- Mira Nair -- Michael Apted -- Joseph Cedar -- Emily Mann -- Michael Mayer -- Susan Stroman -- Mel Brooks -- Hal Prince -- Walter Hill -- John Landis -- Barry Levinson -- John Carpenter -- Lesli Linka Glatter -- Jonathan Frakes -- Brett Ratner -- Richard Donner -- Lawrence Kasdan -- Tim Van Patten -- Taylor Hackford -- Robert Towne. |
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Sommario/riassunto |
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In Rose Eichenbaum's latest book on the confluence of art making and human expression, she sits down with thirty-five modern day storytellers-the directors of theater, film, and television. Eichenbaum's subjects speak with revealing clarity about the entertainment industry, the role and life of the director, and how theatrical and cinematic storytelling impacts our culture and our lives. The Director Within includes interviews with Peter Bogdanovich (The Last Picture Show), Julie Taymor (The Lion King), Mel Brooks (Blazing Saddles), Tim Van Patten (The Sopranos, Boardwalk Empire), Hal Prince ( |
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3. |
Record Nr. |
UNINA9910480651803321 |
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Autore |
Gates Kelly A. |
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Titolo |
Our Biometric Future : Facial Recognition Technology and the Culture of Surveillance / / Kelly A. Gates |
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Pubbl/distr/stampa |
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New York, NY : , : New York University Press, , [2011] |
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©2011 |
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ISBN |
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Descrizione fisica |
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Collana |
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Critical Cultural Communication ; ; 2 |
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Disciplina |
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Soggetti |
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Biometric identification |
Face |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front matter -- Contents -- Abbreviations -- Acknowledgments -- Introduction -- 1. Facial Recognition Technology from the Lab to the Marketplace -- 2. Police Power and the Smart CCTV Experiment -- 3. Finding the Face of Terror in Data -- 4. Inventing the Security-Conscious, Tech-Savvy Citizen -- 5. Automated Facial Expression |
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Analysis and the Mobilization of Affect -- Conclusion -- Notes -- Bibliography -- Index -- About the Author |
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Sommario/riassunto |
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Since the 1960's, a significant effort has been underway to program computers to “see” the human face—to develop automated systems for identifying faces and distinguishing them from one another—commonly known as Facial Recognition Technology. While computer scientists are developing FRT in order to design more intelligent and interactive machines, businesses and states agencies view the technology as uniquely suited for “smart” surveillance—systems that automate the labor of monitoring in order to increase their efficacy and spread their reach. Tracking this technological pursuit, Our Biometric Future identifies FRT as a prime example of the failed technocratic approach to governance, where new technologies are pursued as shortsighted solutions to complex social problems. Culling news stories, press releases, policy statements, PR kits and other materials, Kelly Gates provides evidence that, instead of providing more security for more people, the pursuit of FRT is being driven by the priorities of corporations, law enforcement and state security agencies, all convinced of the technology’s necessity and unhindered by its complicated and potentially destructive social consequences. By focusing on the politics of developing and deploying these technologies, Our Biometric Future argues not for the inevitability of a particular technological future, but for its profound contingency and contestability. |
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