1.

Record Nr.

UNINA9910480454203321

Autore

Gleason William A.

Titolo

Sites Unseen : Architecture, Race, and American Literature / / William A. Gleason

Pubbl/distr/stampa

New York, NY : , : New York University Press, , [2011]

©2011

ISBN

0-8147-3327-1

Descrizione fisica

1 online resource (286 p.)

Collana

America and the Long 19th Century ; ; 23

Disciplina

810.9357

Soggetti

American literature - 20th century - History and criticism

Architecture and literature

Race in literature

Architecture in literature

American literature - 19th century - History and criticism

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references (p. 241-257) and index.

Nota di contenuto

Front matter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction. Race, Writing, Architecture -- 1. Cottage Desire -- 2. Piazza Tales -- 3. Imperial Bungalow -- 4. Keyless Rooms -- Coda. Black Cabin, White House -- Notes -- Bibliography -- Index -- About the Author

Sommario/riassunto

Sites Unseen examines the complex intertwining of race and architecture in nineteenth and early-twentieth century American culture, the period not only in which American architecture came of age professionally in the U.S. but also in which ideas about architecture became a prominent part of broader conversations about American culture, history, politics, and&#8212although we have not yet understood this clearly&#8212race relations. This rich and copiously illustrated interdisciplinary study explores the ways that American writing between roughly 1850 and 1930 concerned itself, often intensely, with the racial implications of architectural space primarily, but not exclusively, through domestic architecture.In addition to identifying an archive of provocative primary materials, Sites Unseen



draws significantly on important recent scholarship in multiple fields ranging from literature, history, and material culture to architecture, cultural geography, and urban planning. Together the chapters interrogate a variety of expressive American vernacular forms, including the dialect tale, the novel of empire, letters, and pulp stories, along with the plantation cabin, the West Indian cottage, the Latin American plaza, and the “Oriental” parlor. These are some of the overlooked plots and structures that can and should inform a more comprehensive consideration of the literary and cultural meanings of American architecture. Making sense of the relations between architecture, race, and American writing of the long nineteenth century&#8212in their regional, national, and hemispheric contexts&#8212Sites Unseen provides a clearer view not only of this catalytic era but also more broadly of what architectural historian Dell Upton has aptly termed the social experience of the built environment.