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1. |
Record Nr. |
UNINA9910480290703321 |
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Autore |
Colombani Jacques-Louis |
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Titolo |
Cyberespace et terrorisme / / Jacques-Louis Colombani |
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Pubbl/distr/stampa |
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[Quebećbec, Canada] : , : Presses de l'Université Laval, , 2016 |
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©2016 |
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ISBN |
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Descrizione fisica |
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1 online resource (164 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Cyberterrorism |
Terrorism - Government policy |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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2. |
Record Nr. |
UNINA9910797677603321 |
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Titolo |
Exhibiting the German past : museums, film, and musealization / / editors, Peter M. McIsaac, Gabriele Mueller |
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Pubbl/distr/stampa |
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Toronto : , : University of Toronto Press, , 2015 |
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©2015 |
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ISBN |
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1-4426-2075-7 |
1-4426-2074-9 |
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Descrizione fisica |
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1 online resource (311 pages) |
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Collana |
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German and European studies |
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Disciplina |
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Soggetti |
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Museums - Social aspects - Germany |
Museum exhibits - Social aspects - Germany |
Motion pictures - Social aspects - Germany |
Collective memory - Germany |
Electronic books. |
Germany In motion pictures |
Germany In popular culture |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- 1. The "Museal Gaze" and "Civic Seeing": City, Film, and Museum in Wim Wenders's Der Himmel über Berlin -- 2. Refracted Memory: Museums, Film, and Visual Culture in Urban Space -- 3. Nikolaus Geyrhalter's Unser täglich Brot: Preservation, the Food Industry, and the Interrogation of Visual Evidence -- 4. The Concealed Curator: Constructed Authenticity in Uli Edel's Der Baader-Meinhof Komplex -- 5. Remembering and Historicizing Socialism: The Private and Amateur Musealization of East Germany's Everyday Life -- 6. Object Lessons: Visuality and Tactility in Museums of the Socialist Everyday -- 7. Historical Museum Meets Docu-Drama: The Recipient's Experiential Involvement in the Second World War -- 8. Framing the Past: Visual Musealizations of the Nazi Past in Harlan -- Im Schatten von Jud Süss and Jud Süss -- Film ohne Gewissen -- 9. Moving Statues: Arthur Grimm, the Entartete Kunst Exhibition, and Installation |
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Photography as Standfotografie -- 10. "In a Hundred Years of Cinema ... ": History and Musealization in Harun Farocki's Arbeiter verlassen die Fabrik in elf Jahrzehnten -- 11. Sex on Display: Sexual Science and the Exhibition PopSex! -- 12. Spaces in Motion and Cinematic Experiences: The Permanent Exhibition Film of the Deutsche Kinemathek -- Museum für Film und Fernsehen -- Bibliography -- Contributors -- Index. |
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Sommario/riassunto |
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Featuring a wide range of valuable case studies, Exhibiting the German Past offers a unique perspective on the developing relationship between museums and visual media. |
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3. |
Record Nr. |
UNISA990003039760203316 |
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Titolo |
L'arte per i papi e per i principi nella campagna romana, grande pittura del '600 e del '700 : Roma, Museo nazionale del Palazzo di Venezia, 8 marzo-13 maggio 1990 |
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Pubbl/distr/stampa |
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Roma, : Quasar, copyr. 1990 |
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ISBN |
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88-7140-015-1 |
88-7140-016-X |
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Descrizione fisica |
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Disciplina |
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Soggetti |
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Pitture - Roma <dintorni> - Esposizioni - Roma - Museo nazionale del Palazzo Venezia - 1990 |
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Collocazione |
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V A 10 ROM 8,1 |
V A 10 ROM 8,2 |
XV 21 1570 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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In testa al front.: Ministero per i beni culturali e ambientali, Soprintendenza per i beni artistici e storici di Roma |
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Nota di contenuto |
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<V. 1> : Schede . - 192 p. - <V. 2> : Saggi. - 363 p. |
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