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1. |
Record Nr. |
UNINA9910480252603321 |
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Titolo |
Entremeses, loas y coloquios de Potosí (colección del Convento de Santa Teresa) / / edición de Ignacio Arellano y Andrés Eichmann |
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Pubbl/distr/stampa |
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Madrid : , : Iberoamericana |
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Frankfurt am Main : , : Vervuert, , [2005] |
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ISBN |
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Descrizione fisica |
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1 online resource (480 p.) |
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Collana |
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Altri autori (Persone) |
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ArellanoIgnacio <1956-> |
Eichmann OehrliAndrés |
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Disciplina |
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Soggetti |
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Bolivian drama - 19th century |
Entremés |
Teatro boliviano - Hasta S.XVIII |
Entremeses |
Loas |
Libros electronicos. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Bibliografía: páginas [63]-68. |
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Nota di contenuto |
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Front matter -- Índice -- Los textos dramáticos del convento de Santa Teresa de la Villa Imperial de Potosí: una descripción general -- Bibliografía -- Entremeses -- Piezas Religiosas -- Fragmentos Y Partes Sueltas -- Apéndice Facsimilar |
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Sommario/riassunto |
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Edición crítica de un corpus de piezas teatrales compuestas para la celebración de las fiestas del Carmelo entre los siglos XVII y XIX. |
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2. |
Record Nr. |
UNINA9910960713703321 |
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Autore |
Flynn Michael |
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Titolo |
Screening Torture : Media Representations of State Terror and Political Domination / / Fabiola Fernandez Salek, Michael Flynn |
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Pubbl/distr/stampa |
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New York, NY : , : Columbia University Press, , [2012] |
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©2012 |
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ISBN |
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Descrizione fisica |
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1 online resource (327 p.) |
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Disciplina |
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Soggetti |
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Torture in motion pictures |
Torture on television |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Frontmatter -- Contents -- Screening Torture / Flynn, Michael / Salek, Fabiola F. -- Part I: Torture and the Implications of Masculinity -- 1. Countering the Jack Bauer Effect / Danzig, David -- 2. Mel Gibson's Tortured Heroes / Quinby, Lee -- 3. It's a Perfect World / Flynn, Michael / Salek, Fabiola F. -- Part II: Torture and the Sadomasochistic Impulse -- 4. Lust, Caution -- 5. The Art of Photogenic Torture / Carney, Phil -- 6. Beyond Susan Sontag / McCoy, Alfred W. -- 7. Stanley Kubrick's A Clockwork Orange as Art Against Torture / Strange, Carolyn -- Part III: Confronting the Legacies of Torture and State Terror -- 8. "Accorded a Place in the Design" / Swanson Goldberg, Elizabeth -- 9. Confessing Without Regret / Alexander, Livia -- PART IV: Torture and the Shortcomings of Film -- 10. Movies of Modern Torture as Convenient Truths / Rejali, Darius -- 11. Torture at the Limit of Politics / Devji, Faisal -- 12. Doing Torture in Film / Lazreg, Marnia -- 13. Documenting the Documentaries on Abu Ghraib / Mestrovic, Stjepan G. -- Contributors -- Index |
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Sommario/riassunto |
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Before 9/11, films addressing torture outside of the horror/slasher genre depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and depraved individual, and the viewer was more likely to identify with the victim rather than the torturer. Since the terrorist attacks of September 11, 2001, scenes of brutality and torture in mainstream comedies, dramatic narratives, and |
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action films appear for little other reason than to titillate and delight. In these films, torture is devoid of any redeeming qualities, represented as an exercise in brutal senselessness carried out by authoritarian regimes and institutions.This volume follows the shift in the representation of torture over the past decade, specifically in documentary, action, and political films. It traces and compares the development of this trend in films from the United States, Europe, China, Latin America, South Africa, and the Middle East. Featuring essays by sociologists, psychologists, historians, journalists, and specialists in film and cultural studies, the collection approaches the representation of torture in film and television from multiple angles and disciplines, connecting its aesthetics and practices to the dynamic of state terror and political domination. |
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