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Record Nr. |
UNINA9910480118603321 |
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Autore |
Szendy Peter |
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Titolo |
The Supermarket of the Visible : Toward a General Economy of Images / / Peter Szendy |
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Pubbl/distr/stampa |
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New York, NY : , : Fordham University Press, , [2019] |
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©2019 |
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ISBN |
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0-8232-8347-X |
0-8232-8359-3 |
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Descrizione fisica |
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1 online resource (175 pages) |
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Collana |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Motion pictures - Economic aspects |
Motion pictures - Philosophy |
Semiotics |
Visual perception |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Front matter -- Contents -- one. Money, or The Other Side of Images -- two. The Point of (No) Exchange, or The Debt- Image -- three. Innervation, or The Gaze of Capital -- Merchandise -- Deleted Scenes -- Deleted Scenes -- Photo Gallery -- Locations -- Deleted Scene -- Deleted Scenes -- Deleted Scenes -- Formats -- Credits -- Notes -- Index |
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Sommario/riassunto |
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Already in 1929, Walter Benjamin described “a one hundred per cent image-space.” Such an image space saturates our world now more than ever, constituting the visibility in which we live. The Supermarket of the Visible analyzes this space and the icons that populate it as the culmination of a history of the circulation and general commodification of images and gazes. From the first elevators and escalators (tracking shots avant la lettre) to cinema (the great conductor of gazes), all the way down to contemporary eye-tracking techniques that monitor the slightest saccades of our eyes, Peter Szendy offers an entirely novel theory of the intersection of the image and economics. The Supermarket of the Visible elaborates an economy proper to images, |
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icons, in other words, an iconomy. Deleuze caught a glimpse of this when he wrote that “money is the back side of all the images that cinema shows and edits on the front.” Since “cinema,” for Deleuze, is synonymous with “universe,” Szendy argues that this sentence must be understood in its broadest dimension and that a reading of key works in the history of cinema allows us a unique vantage point upon the reverse of images, their monetary implications. Paying close attention to sequences in Hitchcock, Bresson, Antonioni, De Palma, and The Sopranos, Szendy shows how cinema is not a uniquely commercial art form among other, purer arts, but, more fundamentally, helps to elaborate what might be called, with Bataille, a general iconomy.Moving deftly and lightly between political economy, aesthetic theory, and popular movies and television, The Supermarket of the Visible will be a necessary book for anyone concerned with media, philosophy, politics, or visual culture. |
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2. |
Record Nr. |
UNINA9910971796003321 |
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Titolo |
History, Casuistry and Custom in the Legal Thought of Francisco Suárez (1548-1617) : Collected Studies / / edited by Dominique Bauer and Randall Lesaffer |
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Pubbl/distr/stampa |
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Boston : , : BRILL, , 2021 |
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©2021 |
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ISBN |
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Descrizione fisica |
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1 online resource (168 pages) |
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Collana |
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Altri autori (Persone) |
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BauerDominique |
LesafferRandall |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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History, casuistry and custom in the legal thought of Francisco Suárez : an Introduction / Dominique Bauer -- Between Aristotle and Scotus : Suárez on the duty to punish / Daniel Schwartz -- Francisco Suárez als rechtsberater : einige reflexionen über die wahrscheinlichkeit und den |
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probabilismus im recht / João Manuel A. Alexandrino Fernandes -- The pragmatic Suárez : private law in the work of the Doctor Eximius / Luisa Brunori and Wim Decock -- Free will and dominium in Suárez / Bart Wauters -- La relation entre morale et droit dans la théorie Suarézienne du droit des gens / Gaëlle Demelemestre -- Suárez : d'un droit avant le droit au devenir juridique de l'humanité / Jean-Paul Coujou -- History and the auto-referentiality of law in the seventh book of Francisco Suárez's De legibus, de lege non scripta / Dominique Bauer -- The equilibrium between intellectus and voluntas : The definition of law by Francisco Suárez / Cintia Faraco. |
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Sommario/riassunto |
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"The thought and work of the Jesuit Francisco Suárez (1548-1617) is widely acknowledged as the culmination point of the contribution of the theologians and jurists of the so-called School of Salamanca to the development of modern Western law. This collection of studies on the legal work of Suárez explores some of his major forays into the law. Both his theoretical system-building as well as his interventions in practical questions are covered. Next to discussions on the nature of law and its different categorisations, they extend to various subbranches of the law including family law, property law, the law of obligations, criminal law and international law. Contributors are: Dominique Bauer, Daniel Schwartz, João Manuel Azevedo Alexandrino Fernandes, Lisa Brunori, Wim Decock, Bart Wauters, Gaëlle Demelemestre, and Jean-Paul Coujou"-- |
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