1.

Record Nr.

UNINA9910479878503321

Autore

Magerstädt Sylvie <1976->

Titolo

TV antiquity : Swords, sandals, blood and sand / / Sylvie Magerstädt

Pubbl/distr/stampa

Baltimore, Maryland : , : Project Muse, , 2019

Baltimore, Md. : , : Project MUSE, , 2019

©2019

ISBN

1-5261-0007-X

Descrizione fisica

1 online resource : illustrations (black and white)

Collana

Television series

Disciplina

791.45658

Soggetti

Civilization, Ancient, on television

Historical television programs - History and criticism

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Also issued in print: 2019.

Nota di bibliografia

Includes bibliographical references (pages [205]-215), filmography (pages [216]-219) and index.

Nota di contenuto

part I. The ancient world as serial television drama -- part II. Pepla and politics : the emergence of a television genre (1960s) -- Case study 1 The Caesars (1968) -- Case study 2 Odissea/The Odyssey (1968) -- part III. Costumes and censorship : the BBC's Roman Empire (1970s) -- Case study 3 I, Claudius (1976) -- Case study 4 The Eagle of the Ninth (1977) -- part IV. Cult and kitsch : Graeco-Roman myths on US television (1980s-90s) -- Case study 5 The Last Days of Pompeii (1984) -- Case study 6 Hercules : the legendary journeys (1995-99) -- part V. Expanse and spectacle : the postmillennial revival of a genre -- Case study 7 Rome (2005-8) -- Case study 8 STARZ Spartacus (2010-13) -- Conclusion : what is the future of TV antiquity?

Sommario/riassunto

TV antiquity explores representations of ancient Greece and Rome throughout television history. The first comprehensive overview of the 'swords and sandals' genre on the small screen, it argues that these shows offer a distinct perspective on the ancient world. The book traces the historic development of fictional representations of antiquity from the staged black-and-white shows of the 1950s and 1960s to the most recent digital spectacles. One of its key insights is that the structure of serial television is at times better suited to exploring the



complex mythic and historic plots of antiquity. Featuring a range of case studies, from popular serials like I, Claudius (1976) and Rome (2005-8) to lesser known works like The Caesars (1968) and The Eagle of the Ninth (1976), the book illustrates how broader cultural, political and economic issues have over time influenced the representation of antiquity on television.