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Record Nr. |
UNINA9910479858303321 |
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Autore |
Rafter Nicole Hahn <1939-> |
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Titolo |
Criminology Goes to the Movies : Crime Theory and Popular Culture / / Nicole Rafter, Michelle Brown |
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Pubbl/distr/stampa |
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New York, NY : , : New York University Press, , [2011] |
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©2011 |
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ISBN |
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0-8147-7741-4 |
0-8147-4529-6 |
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Descrizione fisica |
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1 online resource (240 p.) |
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Disciplina |
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Soggetti |
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Criminology |
Crime in popular culture |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front matter -- Contents -- Preface -- Note on Use of Dates -- 1 Introduction -- 2 “For Money and a Woman” -- 3 “He’s Alive!” -- 4 “Blood, Mother, Blood!” -- 5 “You Talking to Me?” -- 6 “You’re Giving Me a Nervous Breakdown” -- 7 Getting the Drift -- 8 “Pornography in Foot-High Stacks” -- 9 Fight the Power -- 10 “Let Her Go” -- 11 A Matter of Time -- 12 Conclusion -- Appendix of Films -- Notes -- Bibliography -- Index -- About the Authors |
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Sommario/riassunto |
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Investigating cinema under the magnifying glass From a look at classics like Psycho and Double Indemnity to recent films like Traffic and Thelma & Louise, Nicole Rafter and Michelle Brown show that criminological theory is produced not only in the academy, through scholarly research, but also in popular culture, through film. Criminology Goes to the Movies connects with ways in which students are already thinking criminologically through engagements with popular culture, encouraging them to use the everyday world as a vehicle for theorizing and understanding both crime and perceptions of criminality. The first work to bring a systematic and sophisticated criminological perspective to bear on crime films, Rafter and Brown’s book provides a fresh way of looking at cinema, using the concepts and |
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