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Record Nr. |
UNINA9910476934903321 |
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Titolo |
Performing the Digital : Performativity and Performance Studies in Digital Cultures / Martina Leeker, Imanuel Schipper, Timon Beyes |
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Pubbl/distr/stampa |
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Bielefeld, : transcript Verlag, 2017 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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Collana |
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Digitale Gesellschaft ; 11 |
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Disciplina |
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Soggetti |
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Performance Studies; Culture; Digital Media; Performing Arts; Media Theory; Media; Body; Technology; Cultural Theory; Media Studies |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter 1 Contents 5 Performativity, performance studies and digital cultures 9 Performing (the) digital 21 Making digital choreographic objects interrelate 63 Speculation about 1:0 83 The noisy motions of instruments 101 Performing encryption 117 Mobile phone signals and protest crowds 137 Mapping invisibility 157 The big urban game, re-play and full city tags 171 From flâneur to co-producer 191 Performing institutions 213 'The machine could swallow everything' 229 Performing the economy, digital media and crisis 247 Performance and democratizing digitality 279 Notes on contributors 297 |
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Sommario/riassunto |
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How is performativity shaped by digital technologies - and how do performative practices reflect and alter techno-social formations? "Performing the Digital" explores, maps and theorizes the conditions and effects of performativity in digital cultures. Bringing together scholars from performance studies, media theory, sociology and organization studies as well as practitioners of performance, the contributions engage with the implications of digital media and its networked infrastructures for modulations of affect and the body, for performing cities, protest, organization and markets, and for the performativity of critique. With contributions by Marie-Luise Angerer, Timon Beyes, Scott deLahunta and Florian Jenett, Margarete Jahrmann, Susan Kozel, Ann-Christina Lange, Oliver Leistert, Martina Leeker, Jon |
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McKenzie, Sigrid Merx, Melanie Mohren and Bernhard Herbordt, Imanuel Schipper and Jens Schröter. |
»A valuable and impressive book for both its interdisciplinary coverage and the theoretical insights arising from its creative case studies.« Erin Sullivan, Theatre Research International, 43/1 (2018) |
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