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1. |
Record Nr. |
UNINA9910476784803321 |
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Titolo |
Shapes of Apocalypse : arts and philosophy in Slavic thought / / edited by Andrea Oppo |
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Pubbl/distr/stampa |
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Boston : , : Academic Studies Press, , 2013 |
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Descrizione fisica |
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1 online resource (285 pages) |
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Collana |
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Myths and taboos in Russian culture |
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Disciplina |
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Soggetti |
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Apocalypse in art |
Apocalypse in literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references (pages 265-277) and index. |
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Nota di contenuto |
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Part One. Philosophy -- The tilted pillar : Rozanov and the Apocalypse / Giancarlo Baffo -- Salvation without redemption : phenomenology of (pre)-history in Patočka's late work / Riccardo Paparusso -- Part Two. Literature -- The sacrament of end : the theme of Apocalypse in three works by Gogol / Vladimir Glyantz -- Apocalyptic imagery in Dostoevskij's The idiot and The devils / William J. Leatherbarrow -- Black blood, white roses : Apocalypse and redemption in Blok's later poetry / Irene Masing-Delić -- Apocalypse and Golgotha in Miroslav Krleža's Olden days : memoirs and diaries 1914-1921/1922 / Suzana Marjanić -- Part Three. Music and visual arts -- The apocalyptic dispersion of light into poetry and music : Aleksandr Skrjabin in the Russian religious imagination / Polina Dimova -- From the Peredvižniki's realism to Lenin's mausoleum : the two poles of an apocalyptic-palingenetic path / Chiara Cantelli -- Theatre at the limit : Jerzy Grotowski's Apocalypsis cum figuris / Andrea Oppo -- On Apocalypse, witches and desiccated trees : a reading of Andrej Tarkovskij's The sacrifice / Alessio Scarlato. |
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Sommario/riassunto |
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This collective volume aims to highlight the philosophical and literary idea of "apocalypse," within some key examples in the "Slavic world" during the nineteenth and twentieth century. From Russian realism to avant-garde painting, from the classic fiction of the nineteenth century to twentieth century philosophy, not omitting theatre, cinema or music, there is a specific examination of the concepts of "end of history" and |
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"end of present time" as conditions for a redemptive image of the world. To understand this idea means to understand an essential part of Slavic culture, which; however divergent and variegated it may be in general, converges on a specific myth in a surprising manner. |
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2. |
Record Nr. |
UNINA9910792046803321 |
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Autore |
Boyer Dominic |
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Titolo |
The life informatic [[electronic resource] ] : newsmaking in the digital era / / Dominic Boyer |
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Pubbl/distr/stampa |
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Ithaca, : Cornell University Press, 2013 |
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ISBN |
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0-8014-6734-9 |
1-322-50315-X |
0-8014-6735-7 |
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Descrizione fisica |
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1 online resource : illustrations |
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Collana |
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Expertise : cultures and technologies of knowledge |
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Disciplina |
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Soggetti |
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Electronic news gathering |
Journalism - Data processing |
Journalism - Computer network resources |
Journalism - Technological innovations |
Online journalism |
Digital media |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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First paperback edition, 2013. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Introduction : news journalism today -- The craft of slotting : screenwork, attentional practices and news value at an international news agency -- Click and spin : time, feedback and expertise at an online news portal -- Countdown : professionalism, publicity and political culture in 24/7 news radio -- The news informatic : five reflections on journalism in the era of digital liberalism -- Epilogue : informatic unconscious : on the evolution of digital reason in anthropology. |
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Sommario/riassunto |
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News journalism is in the midst of radical transformation brought about by the spread of digital information and communication |
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technology and the rise of neoliberalism. What does it look like, however, from the inside of a news organization? In The Life Informatic, Dominic Boyer offers the first anthropological ethnography of contemporary office-based news journalism. The result is a fascinating account of journalists struggling to maintain their expertise and authority, even as they find their principles and skills profoundly challenged by ever more complex and fast-moving streams of information.Boyer conducted his fieldwork inside three news organizations in Germany (a world leader in digital journalism) supplemented by extensive interviews in the United States. His findings challenge popular and scholarly images of journalists as roving truth-seekers, showing instead the extent to which sedentary office-based "screenwork" (such as gathering and processing information online) has come to dominate news journalism. To explain this phenomenon Boyer puts forth the notion of "digital liberalism"-a powerful convergence of technological and ideological forces over the past two decades that has rebalanced electronic mediation from the radial (or broadcast) tendencies of the mid-twentieth century to the lateral (or peer-to-peer) tendencies that dominate in the era of the Internet and social media. Under digital liberalism an entire regime of media, knowledge, and authority has become integrated around liberal principles of individuality and publicity, both unmaking and remaking news institutions of the broadcast era. Finally, Boyer offers some scenarios for how news journalism will develop in the future and discusses how other intellectual professionals, such as ethnographers, have also become more screenworkers than fieldworkers. |
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