1.

Record Nr.

UNINA9910476784803321

Titolo

Shapes of Apocalypse : arts and philosophy in Slavic thought / / edited by Andrea Oppo

Pubbl/distr/stampa

Boston : , : Academic Studies Press, , 2013

Descrizione fisica

1 online resource (285 pages)

Collana

Myths and taboos in Russian culture

Disciplina

704.94820947

Soggetti

Apocalypse in art

Apocalypse in literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references (pages 265-277) and index.

Nota di contenuto

Part One. Philosophy -- The tilted pillar : Rozanov and the Apocalypse / Giancarlo Baffo -- Salvation without redemption : phenomenology of (pre)-history in Patočka's late work / Riccardo Paparusso -- Part Two. Literature -- The sacrament of end : the theme of Apocalypse in three works by Gogol / Vladimir Glyantz -- Apocalyptic imagery in Dostoevskij's The idiot and The devils / William J. Leatherbarrow -- Black blood, white roses : Apocalypse and redemption in Blok's later poetry / Irene Masing-Delić -- Apocalypse and Golgotha in Miroslav Krleža's Olden days : memoirs and diaries 1914-1921/1922 / Suzana Marjanić -- Part Three. Music and visual arts -- The apocalyptic dispersion of light into poetry and music : Aleksandr Skrjabin in the Russian religious imagination / Polina Dimova -- From the Peredvižniki's realism to Lenin's mausoleum : the two poles of an apocalyptic-palingenetic path / Chiara Cantelli -- Theatre at the limit : Jerzy Grotowski's Apocalypsis cum figuris / Andrea Oppo -- On Apocalypse, witches and desiccated trees : a reading of Andrej Tarkovskij's The sacrifice / Alessio Scarlato.

Sommario/riassunto

This collective volume aims to highlight the philosophical and literary idea of "apocalypse," within some key examples in the "Slavic world" during the nineteenth and twentieth century. From Russian realism to avant-garde painting, from the classic fiction of the nineteenth century to twentieth century philosophy, not omitting theatre, cinema or music, there is a specific examination of the concepts of "end of history" and



"end of present time" as conditions for a redemptive image of the world. To understand this idea means to understand an essential part of Slavic culture, which; however divergent and variegated it may be in general, converges on a specific myth in a surprising manner.