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1. |
Record Nr. |
UNINA9910466249603321 |
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Titolo |
La memoria cinematografica de la guerrilla antifranquista / / editado por Pere Joan Tous, Cornelia Ruhe |
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Pubbl/distr/stampa |
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Leiden, The Netherlands ; ; Boston, [Massachusetts] : , : Brill Rodopi, , 2017 |
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©2017 |
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ISBN |
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Descrizione fisica |
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1 online resource (197 pages) : illustrations (some color) |
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Collana |
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Foro Hispanico, , 0925-8620 ; ; Volume 57 |
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Disciplina |
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Soggetti |
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Guerrillas in motion pictures |
Anti-fascist movements in motion pictures |
Motion pictures - Spain - History - 20th century |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references at the end of each chapters and index. |
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Nota di contenuto |
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Preliminary Material / Pere Joan Tous and Cornelia Ruhe -- A modo de introducción. Cine y guerrilla o la memoria intempestiva / Pere Joan Tous and Cornelia Ruhe -- La guerrilla antifranquista como lugar de memoria. Coordenadas de una configuración narrativa e icónica / Ulrich Winter -- El espíritu en el laberinto. La memoria filosófica de la guerrilla en películas de Víctor Erice y Guillermo del Toro / Cornelia Ruhe -- Residuos de un pasado irresuelto. El maquis en el cine preconsensual de la Transición / Daniel Arroyo-Rodríguez -- El magnicidio soñado. ETA y el asesinato de Carrero Blanco a través del cine / Santiago de Pablo -- La pérdida del sentido. La imagen de ETA en Yoyes (Helena Taberna, 2000) / Franziska Hudek -- Entre historia y memoria. La representación de la guerrilla antifranquista en Silencio roto (Montxo Armendáriz, 2001) / Claudia Jünke -- Víctimas y victimarios en Les veus del Pamano, novela (Jaume Cabré, 2004) y película (Lluís Maria Güell, 2009) / Daniela Bister -- Un artefacto de resistencia antifranquista en clave grotesca. Balada triste de trompeta (Álex de la Iglesia, 2010) / Ana Luengo -- Material de derrota. Avatares del relato mesiánico y ética de la dignidad en Caracremada (Lluís |
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Galter, 2010) / Pere Joan Tous -- Los cronotopos de la memoria. Representación y reconstrucción de la guerrilla antifranquista en películas documentales / Virginie Gautier N’Dah-Sékou -- Anexo 1: Nota del director / Lluís Galter -- Anexo 2: Nota del director / Lluís Galter -- Anexo 3: Entrevista con Lluís Galter / Silvestre Garbayo Vidaurreta -- Anexo 4: Un documental de 57 mn / Odette Martínez Maler , Ismael Cobo and Laetitia Puertas -- Anexo 5: Entre ficciones y consensos anda el juego. O lo que viene en las películas y las novelas después de la palabra FIN / Alfons Cervera -- Índice / Pere Joan Tous and Cornelia Ruhe. |
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Sommario/riassunto |
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The filmic commemoration of the republican guerrilla movement and its diverse phenomenology as an armed resistance against the Francoist dictatorship is one of the most privileged topics of the so called Spanish Cinema of Memory. The collection of essays in La memoria cinematográfica de la guerrilla antifranquista analyze the most emblematic films of this thematic cycle, touching on the vast scope of different filmic discourses as well as on the films’ intentions to take up a position in the still current and controversial debate about the historical memory of Francoism. The articles emphasize how this Cinema of Memory dismisses concrete historic reference, thus allowing an intense reflection not only on the ethics of resistance and dignity, but also on the power of counterfactual imagination. La finalmente derrotada guerrilla antifranquista y su tan diversa fenomenología como resistencia armada contra la dictadura constituyen uno de los temas privilegiados del cine de memoria español. Los trabajos compilados en La memoria cinematográfica de la guerrilla antifranquista analizan las obras más emblemáticas de este ciclo de películas, incidiendo tanto en su muy variada textura cinematográfica como en su voluntad de posicionarse dentro del todavía hoy controvertido debate sobre la memoria histórica del franquismo. A la vez, tomados en su conjunto, los artículos enfatizan como este cine de memoria, partiendo de un concreto referente histórico, ha sido capaz de desarrollar una intensa reflexión no sólo sobre la ética de la resistencia y de la dignidad, sino también sobre el poder de la imaginación contrafáctica. |
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2. |
Record Nr. |
UNINA9910460608303321 |
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Autore |
Wiles Ellen |
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Titolo |
Saffron shadows and salvaged scripts : literary life in Myanmar under censorship and in transition / / Ellen Wiles |
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Pubbl/distr/stampa |
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New York : , : Columbia University Press, , 2015 |
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©2015 |
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ISBN |
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Descrizione fisica |
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1 online resource (289 p.) |
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Disciplina |
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Soggetti |
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Literature and society - Burma |
Politics and literature - Burma |
Censorship - Burma |
Burmese literature - Social aspects |
Burmese literature - Political aspects |
Authors, Burmese - 20th century |
Authors, Burmese - 21st century |
Social change - Burma |
Electronic books. |
Burma Intellectual life |
Burma Social conditions |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front matter -- Contents -- List of Illustrations -- Prologue -- Acknowledgments -- 1. Introduction: Literary Life Under the Censorship Regime -- 2. Writers: The Older Generation -- 3. Writers: The Middle Generation -- 4. Writers: The Younger Generation -- 5. Conclusion: Literary Life in Transition -- Notes -- Bibliography -- Index |
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Sommario/riassunto |
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This book tells an ethnographic story of a secret literary culture that has recently emerged from its cocoon. Until 2012, Myanmar (also known as Burma) was ruled for fifty years by one of the most paranoid and repressive censorship regimes in history. The military junta enforced strict reading and writing restrictions in line with their |
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ideology, feared writers' potential to trigger change, and did their best to keep Western books and influences out of the country. As part of an unexpected move toward democracy, the government has recently lifted the worst restrictions on reading and writing, giving rise to a new era in the country's literature and literary culture. While living in Myanmar in 2013, Ellen Wiles sought out the best of its contemporary writers and writing to begin uncovering the country's remarkable literary life and history. This book contains the experiences and recent output of nine Myanmar writers spanning three generations, featuring interviews and English-language translations of their work, along with political, legal, and artistic explorations. It includes men and women, fiction and poetry, reflecting the ripples of political and cultural change as they have moved across different groups and genres. A rare portrait of a people and place in transition, Wiles's work contributes both to the study of literature and culture in Myanmar and to the general study of art under censorship. |
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