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Record Nr. |
UNINA9910465817203321 |
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Autore |
Chafe Eric Thomas <1946-> |
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Titolo |
The Tragic and the Ecstatic [[electronic resource] ] : The Musical Revolution of Wagner's Tristan and Isolde |
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Pubbl/distr/stampa |
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New York ; ; Oxford, : Oxford University Press, c2004 |
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ISBN |
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0-19-029200-8 |
0-19-971136-4 |
9786611769710 |
1-281-76971-1 |
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Descrizione fisica |
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1 online resource (344 p.) |
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Disciplina |
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Soggetti |
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Music -- Philosophy and aesthetics |
Schopenhauer, Arthur, 1788-1860 |
Wagner, Richard, 1813-1883. Tristan und Isolde |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Contents; Introduction; 1. The Path to Schopenhauer; 2. Tristan and Schopenhauer; 3. Tristan and Gottfried von Strassburg I: Minne; 4. Tristan and Gottfried von Strassburg II: Honor; 5. The Desire Music; 6. The Prelude: A Musico-poetic View; 7. Tragedy and Dramatic Structure; 8. The Two Death Motives; 9. Musico-poetic Design in Act 1; 10. Act 2, Scene 1: Night and Minne; 11. The Love Scene in Act 2: Transition and Periodicity; 12. Tristan's Answer to King Mark: Moral and Philosophical Questions; 13. Act 3: Musico-poetic Design; 14. Love as Fearful Torment; 15. The Road to Salvation |
Appendix: Transcriptions from the Compositional Draft of Act 2, Scene 2Notes; Bibliography; Index; A; B; C; D; E; F; G; H; J; K; L; M; N; O; P; R; S; T; U; V; W; Z |
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Sommario/riassunto |
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During the years preceding the composition of Tristan and Isolde, Wagner's aesthetics underwent a momentous turnaround, principally as a result of his discovery of Schopenhauer. Many of Schopenhauer's ideas, especially those regarding music's metaphysical significance, resonated with patterns of thought that had long been central to |
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