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Record Nr. |
UNINA9910465808403321 |
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Autore |
Simms Bryan R |
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Titolo |
The atonal music of Arnold Schoenberg, 1908-1923 [[electronic resource] /] / Bryan R. Simms |
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Pubbl/distr/stampa |
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New York, : Oxford University Press, 2000 |
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ISBN |
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1-280-53044-8 |
1-4294-0384-5 |
0-19-535185-1 |
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Descrizione fisica |
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1 online resource (276 p.) |
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Disciplina |
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Soggetti |
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Atonality |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 223-257) and index. |
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Nota di contenuto |
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Contents; Abbreviations; Chapter 1 Atonality and the Critical Imagination; Chapter 2 Schoenberg's Evolution toward Atonality; Chapter 3 Settings of the Poetry of Stefan George: Opp. 10, 14, and 15; Chapter 4 Small Instrumental Works: Opp. 11, 16, and 19 and Three Pieces for Chamber Orchestra; Chapter 5 The Operas Erwartung and Die glückliche Hand; Chapter 6 New Uses of the Voice: Herzgewächse, Pierrot lunaire, and Four Songs, Op. 22; Chapter 7 On the Road from Earth to Heaven: Symphony and Die Jakobsleiter; Chapter 8 Composing with Tones: Five Piano Pieces, Op. 23, and Serenade, Op. 24 |
GlossaryNotes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z |
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Sommario/riassunto |
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Between 1908 and 1923, Arnold Schoenberg began writing music that went against many of the accepted concepts and practices of this art. Largely following his intuition during these years, he composed some of the masterpieces of the modern repertoire--including Pierrot lunaire andErwartung--works that have since provoked a large, though fragmented, body of critical and analytical writing. In this book, Bryan Simms combines a historical study with a close analytical reading of the music to give us a new and richer understanding of Schoenberg's seminal work during thisperiod. |
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