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Record Nr. |
UNINA9910465793903321 |
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Autore |
Salzman Eric |
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Titolo |
The new music theater [[electronic resource] ] : seeing the voice, hearing the body / / Eric Salzman and Thomas Desi |
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Pubbl/distr/stampa |
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Oxford ; ; New York, : Oxford University Press, 2008 |
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ISBN |
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9786611868208 |
0-19-972321-4 |
1-281-86820-5 |
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Descrizione fisica |
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1 online resource (417 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Music theater - 20th century - History and criticism |
Drama - 20th century - History and criticism |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [377]-381) and index. |
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Nota di contenuto |
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Contents; Preface; Introduction: What Is Music Theater?; part i: Music in Music Theater; Chapter 1: The Voice; Chapter 2: Where the Sound Comes From; entr'acte i: Is there such a thing as progress in opera or music theater?; Chapter 3: The Music; part ii: Theater in Music Theater; Chapter 4: Cultural Narratives and Performance Institutions; entr'acte ii: A woman's earring, a diamond necklace, a knee, a yogi in meditation, drawing, a mahout looking after an elephant: the language of Kathakali; Chapter 5: Text; Chapter 6: Visual Strategies; Chapter 7: Space |
entr'acte iii: A theater of warm bodies?part iii: Putting It All Together: La Mise en Scène; Chapter 8: The American Eccentrics; Chapter 9: Music Theater as Musiktheater; Chapter 10: From the Homeland: Teatro Musicale; Chapter 11: Théâtre Musical; Chapter 12: Music Theater in Northern Europe; entr'acte iv: The art form that never happened; Chapter 13: Downtown; Chapter 14: Minimalism and Music Theater; Chapter 15: The Show Must Go On; Chapter 16: The Art of the In-Between; Chapter 17: Extended Voice; Chapter 18: New Media and Music Theater; entr'acte v: . . . and how did you like it? |
part iv: After the Show: Taking It ApartChapter 19: Toward a Theory of the New Music Theater; Chapter 20: Notation versus Improvisation?; |
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Chapter 21: Popular or High Art?; Chapter 22: Is Anyone Listening?; Appendix I: A Quick Summary of the History of Music Theater; Appendix II: Selected Reading; Appendix III: Some Festivals and Performance Institutions; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z |
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Sommario/riassunto |
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Introduction: What is Music Theater? Part I: Music in Music Theater 1. The Voice 2. Where the Sound Comes From 3. The Music Entr'acte I: Is there such a thing as progress in music and music theater? Part II: Theater in Music Theater 4. Theater, Music, and Culture 5. Text Entr'acte II: The Language of Kathakali 6. Visual Strategies 7. Space Entr'acte III: A Theater of Warm Bodies? Part III: Putting it all together: La Mise en Scene 8. The American Eccentrics 9. Germany and Austria 10. The Italians Entr'acte IV: The In Between 11. Music Theater in France 12. Great Brita |
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2. |
Record Nr. |
UNINA9910493241803321 |
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Autore |
Polyakova Alina |
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Titolo |
The dark side of European integration : social foundations and cultural determinants of the rise of radical right movements in contemporary Europe / / Alina Polyakova |
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Pubbl/distr/stampa |
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Stuttgart, Germany : , : ibidem-Verlag, , 2015 |
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©2015 |
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ISBN |
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Descrizione fisica |
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1 online resource (183 p.) |
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Collana |
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Explorations of the Far Right, , 2192-7448 ; ; Volume 4 |
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Disciplina |
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Soggetti |
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Right-wing extremists - Europe, Eastern |
Right-wing extremists - Europe, Western |
Nationalism - Europe, Eastern |
Nationalism - Europe, Western |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Radical right parties in Western and Eastern Europe -- How right-wing |
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mobilization works on the ground -- Reimagining political parties and social movements. |
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Sommario/riassunto |
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Based on detailed analysis of the electoral rise of radical right parties, argues that the rising nationalism and the mobilization of the radical right in contemporary Europe are the result of European economic integration, which has produced a cultural backlash. |
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