1.

Record Nr.

UNINA9910465793903321

Autore

Salzman Eric

Titolo

The new music theater [[electronic resource] ] : seeing the voice, hearing the body / / Eric Salzman and Thomas Desi

Pubbl/distr/stampa

Oxford ; ; New York, : Oxford University Press, 2008

ISBN

9786611868208

0-19-972321-4

1-281-86820-5

Descrizione fisica

1 online resource (417 p.)

Altri autori (Persone)

DézsyThomas <1967->

Disciplina

792.6

Soggetti

Music theater - 20th century - History and criticism

Drama - 20th century - History and criticism

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references (p. [377]-381) and index.

Nota di contenuto

Contents; Preface; Introduction: What Is Music Theater?; part i: Music in Music Theater; Chapter 1: The Voice; Chapter 2: Where the Sound Comes From; entr'acte i: Is there such a thing as progress in opera or music theater?; Chapter 3: The Music; part ii: Theater in Music Theater; Chapter 4: Cultural Narratives and Performance Institutions; entr'acte ii: A woman's earring, a diamond necklace, a knee, a yogi in meditation, drawing, a mahout looking after an elephant: the language of Kathakali; Chapter 5: Text; Chapter 6: Visual Strategies; Chapter 7: Space

entr'acte iii: A theater of warm bodies?part iii: Putting It All Together: La Mise en Scène; Chapter 8: The American Eccentrics; Chapter 9: Music Theater as Musiktheater; Chapter 10: From the Homeland: Teatro Musicale; Chapter 11: Théâtre Musical; Chapter 12: Music Theater in Northern Europe; entr'acte iv: The art form that never happened; Chapter 13: Downtown; Chapter 14: Minimalism and Music Theater; Chapter 15: The Show Must Go On; Chapter 16: The Art of the In-Between; Chapter 17: Extended Voice; Chapter 18: New Media and Music Theater; entr'acte v: . . . and how did you like it?

part iv: After the Show: Taking It ApartChapter 19: Toward a Theory of the New Music Theater; Chapter 20: Notation versus Improvisation?;



Chapter 21: Popular or High Art?; Chapter 22: Is Anyone Listening?; Appendix I: A Quick Summary of the History of Music Theater; Appendix II: Selected Reading; Appendix III: Some Festivals and Performance Institutions; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z

Sommario/riassunto

Introduction: What is Music Theater?  Part I: Music in Music Theater   1. The Voice  2. Where the Sound Comes From  3. The Music  Entr'acte I: Is there such a thing as progress in music and music theater?   Part II: Theater in Music Theater   4. Theater, Music, and Culture  5. Text  Entr'acte II: The Language of Kathakali   6. Visual Strategies  7. Space  Entr'acte III: A Theater of Warm Bodies?   Part III: Putting it all together: La Mise en Scene   8. The American Eccentrics  9. Germany and Austria  10. The Italians  Entr'acte IV: The In Between   11. Music Theater in France  12. Great Brita

2.

Record Nr.

UNINA9910493241803321

Autore

Polyakova Alina

Titolo

The dark side of European integration : social foundations and cultural determinants of the rise of radical right movements in contemporary Europe / / Alina Polyakova

Pubbl/distr/stampa

Stuttgart, Germany : , : ibidem-Verlag, , 2015

©2015

ISBN

3-8382-6796-6

Descrizione fisica

1 online resource (183 p.)

Collana

Explorations of the Far Right, , 2192-7448 ; ; Volume 4

Disciplina

320.530947

Soggetti

Right-wing extremists - Europe, Eastern

Right-wing extremists - Europe, Western

Nationalism - Europe, Eastern

Nationalism - Europe, Western

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Radical right parties in Western and Eastern Europe -- How right-wing



mobilization works on the ground -- Reimagining political parties and social movements.

Sommario/riassunto

Based on detailed analysis of the electoral rise of radical right parties, argues that the rising nationalism and the mobilization of the radical right in contemporary Europe are the result of European economic integration, which has produced a cultural backlash.