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1. |
Record Nr. |
UNINA990004125010403321 |
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Autore |
Allison, Henry E. |
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Titolo |
The Kant-Eberhard Controversy / Henry E. Allison |
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Pubbl/distr/stampa |
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London : The Johns Hopkins UniversityPress, c1973 |
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Descrizione fisica |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Sul front.: An English traslation together with supplementary materials and a historical-analytic introduction of Immanuel Kant's on a Discovery According to which Any New Critique of Pure Reason Has Been Made Superfluous by Earlier One. |
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2. |
Record Nr. |
UNINA9910465793903321 |
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Autore |
Salzman Eric |
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Titolo |
The new music theater [[electronic resource] ] : seeing the voice, hearing the body / / Eric Salzman and Thomas Desi |
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Pubbl/distr/stampa |
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Oxford ; ; New York, : Oxford University Press, 2008 |
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ISBN |
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9786611868208 |
0-19-972321-4 |
1-281-86820-5 |
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Descrizione fisica |
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1 online resource (417 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Music theater - 20th century - History and criticism |
Drama - 20th century - History and criticism |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [377]-381) and index. |
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Nota di contenuto |
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Contents; Preface; Introduction: What Is Music Theater?; part i: Music in Music Theater; Chapter 1: The Voice; Chapter 2: Where the Sound Comes From; entr'acte i: Is there such a thing as progress in opera or music theater?; Chapter 3: The Music; part ii: Theater in Music Theater; Chapter 4: Cultural Narratives and Performance Institutions; entr'acte ii: A woman's earring, a diamond necklace, a knee, a yogi in meditation, drawing, a mahout looking after an elephant: the language of Kathakali; Chapter 5: Text; Chapter 6: Visual Strategies; Chapter 7: Space |
entr'acte iii: A theater of warm bodies?part iii: Putting It All Together: La Mise en Scène; Chapter 8: The American Eccentrics; Chapter 9: Music Theater as Musiktheater; Chapter 10: From the Homeland: Teatro Musicale; Chapter 11: Théâtre Musical; Chapter 12: Music Theater in Northern Europe; entr'acte iv: The art form that never happened; Chapter 13: Downtown; Chapter 14: Minimalism and Music Theater; Chapter 15: The Show Must Go On; Chapter 16: The Art of the In-Between; Chapter 17: Extended Voice; Chapter 18: New Media and Music Theater; entr'acte v: . . . and how did you like it? |
part iv: After the Show: Taking It ApartChapter 19: Toward a Theory of the New Music Theater; Chapter 20: Notation versus Improvisation?; |
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Chapter 21: Popular or High Art?; Chapter 22: Is Anyone Listening?; Appendix I: A Quick Summary of the History of Music Theater; Appendix II: Selected Reading; Appendix III: Some Festivals and Performance Institutions; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z |
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Sommario/riassunto |
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Introduction: What is Music Theater? Part I: Music in Music Theater 1. The Voice 2. Where the Sound Comes From 3. The Music Entr'acte I: Is there such a thing as progress in music and music theater? Part II: Theater in Music Theater 4. Theater, Music, and Culture 5. Text Entr'acte II: The Language of Kathakali 6. Visual Strategies 7. Space Entr'acte III: A Theater of Warm Bodies? Part III: Putting it all together: La Mise en Scene 8. The American Eccentrics 9. Germany and Austria 10. The Italians Entr'acte IV: The In Between 11. Music Theater in France 12. Great Brita |
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