1.

Record Nr.

UNINA9910465750403321

Autore

Spacks Patricia Ann Meyer

Titolo

Privacy [[electronic resource] ] : concealing the eighteenth-century self / / Patricia Meyer Spacks

Pubbl/distr/stampa

Chicago, : University of Chicago Press, 2003

ISBN

1-283-15083-2

9786613150837

0-226-76861-9

Descrizione fisica

1 online resource (251 p.)

Disciplina

823/.509353

Soggetti

English fiction - 18th century - History and criticism

Privacy in literature

Secrecy in literature

Self in literature

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Privacies -- Privacies of reading -- The performance of sensibility -- Privacy, dissimulation, and propriety -- Private conversations -- Exposures : sex, privacy, and sensibility -- Trivial pursuits -- Privacy as enablement.

Sommario/riassunto

Today we consider privacy a right to be protected. But in eighteenth-century England, privacy was seen as a problem, even a threat. Women reading alone and people hiding their true thoughts from one another in conversation generated fears of uncontrollable fantasies and profound anxieties about insincerity. In Privacy, Patricia Meyer Spacks explores eighteenth-century concerns about privacy and the strategies people developed to avoid public scrutiny and social pressure. She examines, for instance, the way people hid behind common rules of etiquette to mask their innermost feelings and how, in fact, people were taught to employ such devices. She considers the erotic overtones that privacy aroused in its suppression of deeper desires. And perhaps most important, she explores the idea of privacy as a societal threat-one that bred pretense and hypocrisy in its practitioners. Through



inspired readings of novels by Defoe, Richardson, Fielding, and Sterne, along with a penetrating glimpse into diaries, autobiographies, poems, and works of pornography written during the period, Spacks ultimately shows how writers charted the imaginative possibilities of privacy and its social repercussions. Finely nuanced and elegantly conceived, Spacks's new work will fascinate anyone who has relished concealment or mourned its recent demise.