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Record Nr. |
UNINA9910460097903321 |
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Autore |
Archer Robin |
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Titolo |
Why is there no labor party in the United States? [[electronic resource] /] / Robin Archer |
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Pubbl/distr/stampa |
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Princeton, : Princeton University Press, c2007 |
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ISBN |
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1-282-96470-4 |
9786612964701 |
1-4008-3754-5 |
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Edizione |
[Course Book] |
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Descrizione fisica |
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1 online resource (369 p.) |
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Collana |
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Princeton studies in American politics |
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Disciplina |
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Soggetti |
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Labor unions - Political activity - United States - History |
Labor unions - Political activity - Australia - History |
Political sociology |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Frontmatter -- Contents -- List of Figures -- List of Tables -- List of Abbreviations -- Acknowledgments -- Introduction -- CHAPTER 1. Workers -- CHAPTER 2. Race -- CHAPTER 3. Elections and the Constitution -- CHAPTER 4. The Courts -- CHAPTER 5. Repression -- CHAPTER 6. Liberalism -- CHAPTER 7. Religion -- CHAPTER 8. Socialism -- Conclusion -- Appendix: Notes and Sources for the Tables -- Notes -- Bibliography -- Index -- Backmatter |
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Sommario/riassunto |
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Why is the United States the only advanced capitalist country with no labor party? This question is one of the great enduring puzzles of American political development, and it lies at the heart of a fundamental debate about the nature of American society. Tackling this debate head-on, Robin Archer puts forward a new explanation for why there is no American labor party--an explanation that suggests that much of the conventional wisdom about "American exceptionalism" is untenable. Conventional explanations rely on comparison with Europe. Archer challenges these explanations by comparing the United States with its most similar New World counterpart--Australia. This comparison is particularly revealing, not only because the United States |
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and Australia share many fundamental historical, political, and social characteristics, but also because Australian unions established a labor party in the late nineteenth century, just when American unions, against a common backdrop of industrial defeat and depression, came closest to doing something similar. Archer examines each of the factors that could help explain the American outcome, and his systematic comparison yields unexpected conclusions. He argues that prosperity, democracy, liberalism, and racial hostility often promoted the very changes they are said to have obstructed. And he shows that it was not these characteristics that left the United States without a labor party, but, rather, the powerful impact of repression, religion, and political sectarianism. |
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2. |
Record Nr. |
UNINA9910465681203321 |
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Autore |
Petty Sheila |
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Titolo |
Contact zones [[electronic resource] ] : memory, origin, and discourses in Black diasporic cinema / / Sheila J. Petty |
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Pubbl/distr/stampa |
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Detroit, : Wayne State University Press, c2008 |
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ISBN |
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Descrizione fisica |
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1 online resource (310 p.) |
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Collana |
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Contemporary approaches to film and television series |
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Disciplina |
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Soggetti |
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Black people in motion pictures |
African Americans in motion pictures |
Slavery in motion pictures |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [269]-285) and index. |
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Nota di contenuto |
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""Cover ""; ""Half-title ""; ""Title ""; ""Copyright ""; ""Dedication ""; ""Contents ""; ""Acknowledgments ""; ""Introduction ""; ""1. Africa and the Middle Passage: Recoupment of Origin in Sankofa ""; ""2. Collision of Cultures: Occulted Caribbean Histories in Sugar Cane Alley "" |
""3. Reclaiming Africa: Black Women�s Discourses in Daughters of the Dust """"4. |
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Disjunction from Self: The Politics of Arrival in Soleil O ""; ""5. Arrested Memory: The Problematics of Return in Testament ""; ""6. Slippage and Mutable Histories in Deluge "" |
""7. Transnational Gazes in Frantz Fanon: Black Skin, White Mask """"8. Locality, Memory, and Zombification in The Man by the Shore ""; ""9. Mapping New Boundaries: Discourses of Blackness in Rude ""; ""Notes ""; ""Bibliography ""; ""Index ""; ""Back_Cover "" |
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