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Record Nr. |
UNINA9910465776703321 |
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Autore |
Jolles Robert L. <1957-> |
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Titolo |
How to run seminars and workshops : presentation skills for consultants, trainers, teachers, and salespeople / / Robert Jolles |
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Pubbl/distr/stampa |
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Hoboken, New Jersey : , : Wiley, , 2017 |
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©2017 |
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ISBN |
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1-119-37433-2 |
1-119-37428-6 |
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Edizione |
[Fourth edition.] |
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Descrizione fisica |
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1 online resource (334 pages) |
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Disciplina |
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Soggetti |
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Seminars |
Workshops (Adult education) |
Meetings |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di bibliografia |
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Incudes bibliographical references and index. |
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Sommario/riassunto |
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Make your message stick with expert help from this classic trainer's resource How to Run Seminars and Workshops is the classic guide for trainers and presenters in any industry. Packed with clear advice and real-world practicality, this book covers all aspects including planning, setup, delivery, coaching, and more—including valuable guidance on selling your services. This new Fourth Edition has been updated and expanded, with new information on training simulations, self-marketing, and online delivery. New templates and worksheets help you sell your presentation more effectively, and insider tips leave you equipped to handle any situation that might arise. Novice presenters will find extensive guidance for every phase of the process, and even veteran presenters will learn how to fine-tune and adjust their methods to suit their audience and mode of delivery. Most trainers and presenters know all they need to know about their chosen topic, but very few know how to present it effectively. For more than a decade, this book has been training the trainers—from behind-the-scenes preparations to "in the pit" performance and working with trainees |
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hands-on, straightforward guidance shows you how to: Capture and hold the audience's interest with expert pacing and visual aids Take advantage of new technologies that make training more accessible Prepare each session thoroughly to avoid mistakes, malfunctions, and delays Offer effective feedback, fine-tune delivery, market your services, and more As training departments shrink—many disappearing entirely—more and more companies are turning to keynote and workshop delivery as a way of reaching key clients. Podcasts are replacing live training, and new technology is continually changing the way presentations are made. Professional trainers and speakers must understand the nuances of any audience/delivery permutation, and tailor their methods to match. How to Run Seminars and Workshops is a trusted resource for presenters seeking to boost their effectiveness at any level, in any industry. |
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2. |
Record Nr. |
UNINA9910465511603321 |
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Autore |
Chappell Duncan |
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Titolo |
Contemporary perspectives on the detection, investigation and prosecution of art crime : Australasian, European and North American perspectives / / by Duncan Chappell and Saskia Hufnagel |
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Pubbl/distr/stampa |
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Farnham, Surrey, [England] ; ; Burlington, [Vermont] : , : Ashgate Publishing Group, , 2014 |
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©2014 |
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ISBN |
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1-317-16056-8 |
1-4094-6314-1 |
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Descrizione fisica |
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1 online resource (291 p.) |
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Disciplina |
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Soggetti |
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Art thefts - Law and legislation |
Art thefts - Investigation |
Art - Forgeries |
Cultural property - Protection (International law) |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Contents; Figure and Tables; Contributors; Preface and Acknowledgements; 1 Law Enforcement's Still Evolving Role in Art Crime; Part I Case Studies; 2 The Antiquities Trade: Four Case Studies; 3 The Peculiar Problem of Art Theft; 4 Case Studies on Art Fraud: Europeanand Antipodean Perspectives; 5 A Tale of Two Cities, A Tale of Two Art Thefts; 6 An Australian Art Dealer's Perspective on Art Crime; Part II Criminal Law and Procedure in Art Crime; 7 Considering Evidence in Art Fraud; 8 UNESCO's Influence on the Development of International Criminal Law |
9 Difficulties in Investigating Art Crime and Recovering Its Proceeds:An International Perspective10 Immunity from Seizure for Works of Art on Loan: The Criminal Context; Part III International and Regional Overviews; 11 Policing Art Crime in the European Union; 12 Art Crime in North America; 13 Perspectives on the Investigation, Prosecution and Prevention of Art Crime in Asia; 14 Protecting Cultural Heritage: A Review of Some Contemporary Developments in Australia; 15 Interpol and Advancements in International Police Cooperation on Art Crime; Index |
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Sommario/riassunto |
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Art and antiquity crime has usually assumed a place of low interest and priority. That situation has now slowly begun to change on both the local and international level as criminals, encouraged in part by the record sums now being paid for art treasures, are now seeking to exploit the art market more systematically by means of theft, fraud and looting. In this collection academics and practitioners from Australasia, Europe and North America combine to examine the challenges presented to the criminal justice system by these developments. |
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