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1. |
Record Nr. |
UNINA9910465501803321 |
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Autore |
Barme Stefan |
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Titolo |
Einführung in das Altspanische / / Stefan Barme |
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Pubbl/distr/stampa |
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Stuttgart, Germany : , : ibidem-Verlag, , 2015 |
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©2015 |
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ISBN |
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Descrizione fisica |
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1 online resource (173 p.) |
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Collana |
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Romance Languages and Their Didactics, , 1862-2909 ; ; Volume 53 |
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Disciplina |
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Soggetti |
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Spanish language - To 1500 - History |
Spanish language - Grammar, Historical |
Spanish language - To 1500 - Phonology |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Vorwort; Inhalt; Abkürzungen; Symbole; 1. Zur Periodisierung des Spanischen; 2. Geschichte und Struktur des Altspanischen; 2.1 Die vorrömischen Substrate; 2.2 Eroberung und Romanisierung Hispaniens; 2.3 Das westgotische Superstrat; 2.4 Das arabische Adstrat; 2.5 Ausgliederung und Ausbreitung des Kastilischen; 2.5.1 Die Entstehung der christlichen Königreiche und die Reconquista; 2.5.2 Die sprachliche Gliederung der Iberischen Halbinsel; 2.5.2.1 Sprachliche Heterogenität im Norden; 2.5.2.2 Sprachliche Homogenität im Zentrum und im Süden; 2.5.2.3 Die sprachliche Sonderstellung des Kastilischen |
2.6 Das frühe Romanisch2.7 Vom Lateinischen zum Altspanischen; 2.7.1 Die lateinische Basis der romanischen Sprachen; 2.7.2 Exkurs: Warum kommt es zu Veränderungen in der Aussprache?; 2.7.3 Grundlegendes zur historischen Lautlehre; 2.7.4 Lautung; 2.7.4.1 Vokalismus; 2.7.4.2 Konsonantismus; 2.7.5 Grammatik; 2.7.6 Wortschatz und Semantik; 2.8 Texte mit Kommentar; 2.8.1 Nodicia de kesos (10. Jh.); 2.8.2 Glosas emilianenses (10./11. Jh.); 2.8.3 Mozarabische jarchas (11./12. Jh.); 3. Das Altspanische I: Ende 12./Anfang 13. Jahrhundert; 3.1 Geschichtlicher Hintergrund |
3.2 Text mit Kommentar: Cantar de Mio Cid4. Das Altspanische II: Das alfonsinische Spanisch (13. Jh.); 4.1 Geschichtlicher Hintergrund; 4.2 |
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Sprachliche Merkmale; 4.2.1 Orthographie; 4.2.2 Lautung; 4.2.3 Grammatik; 4.2.4 Wortschatz; 4.3 Text mit Kommentar: General Estoria; 5. Das Altspanische III: 14. Jahrhundert; 5.1 Geschichtlicher Hintergrund; 5.2 Sprachliche Merkmale; 5.2.1 Lautung; 5.2.2 Grammatik; 5.2.3 Wortschatz; 5.3 Text mit Kommentar: Libro de buen amor; 6. Materialien und Hilfsmittel zum Altspanischen; 7. Literatur; 7.1 Primärquellen; 7.2 Sekundärliteratur |
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Sommario/riassunto |
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This introduction to Medieval Spanish, or Old Spanish, closes a long-standing gap in the literature. Focusing on the internal history of the Spanish language, it traces its phonetic, grammatical, and lexical development from classical and vulgar Latin to Medieval Spanish. The characteristics of the Old Spanish language are also illustrated through a presentation and commentary of suitable text excerpts that represent its different stages of development. |
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2. |
Record Nr. |
UNINA9910493207403321 |
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Autore |
Barker Howard |
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Titolo |
Plays eight : the bite of the night, Brutopia, the forty, wonder and worship in the dying ward / / Howard Barker |
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Pubbl/distr/stampa |
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London : , : Oberon Books, , 2014 |
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ISBN |
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Descrizione fisica |
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1 online resource (562 p.) |
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Collana |
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Oberon modern playwrights |
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Disciplina |
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Soggetti |
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English drama - 20th century |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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""Cover""; ""Title Page""; ""Copyright""; ""Contents""; ""The Bite of The Night""; ""Characters""; ""First Prologue""; ""Second Prologue""; ""Act One""; ""Interlude""; ""Act Two""; ""Interlude""; ""Act Three""; ""Brutopia Secret Life in Old Chelsea""; ""Characters""; ""The Sickness""; ""The Recovery""; ""The Forty (Few Words)""; ""Act One""; ""Wonder and Worship in the Dying Ward""; ""Characters""; ""Act One"" |
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Sommario/riassunto |
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The Trojan legend and the character of Helen form the basis for The Bite of the Night. As with all Barker's mythical and historical works, it is overlaid and undermined by a contemporary narrative, in this instance the search for the origin of the erotic undertaken by the redundant university teacher Dr Savage and his nihilistic student, Hogbin. Through all twelve Troys, Savage and Helen struggle with a passion both intellectual and physical, and the idea of beauty is refined to a terrifying degree. In Brutopia Barker's controversial portrait of the humanist Thomas More is shaped around his |
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