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1. |
Record Nr. |
UNISA990001385560203316 |
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Autore |
BIONDI, Carminella |
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Titolo |
Mon frére, tu es mon esclave! : teorie schiaviste e dibattiti antropologico-razziali nel Settecento francese / Carminella Biondi ; prefazione di Corrado Rosso |
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Pubbl/distr/stampa |
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Pisa : Libreria goliardica, 1973 |
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Descrizione fisica |
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Collana |
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Soggetti |
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Schiavitù - Concezione - Francia - Sec.18 |
Antropologia - Studi - Francia - Sec.18 |
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Collocazione |
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III.2. 1177(Varie coll.109/41) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910465412903321 |
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Autore |
Szabados Béla |
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Titolo |
Wittgenstein as philosophical tone-poet : philosophy and music in dialogue / / Béla Szabados |
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Pubbl/distr/stampa |
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Amsterdam, Netherlands ; ; New York : , : Rodopi, , 2014 |
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©2014 |
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ISBN |
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Descrizione fisica |
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1 online resource (221 p.) |
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Collana |
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Studien zur Österreichischen Philosophie ; ; Band 45 |
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Disciplina |
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Soggetti |
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Semantics (Philosophy) - History - 20th century |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Preliminary Material -- Acknowledgements -- Introduction -- A Life in Music -- Early Views: Wittgenstein’s Vienna Revisited -- Wittgenstein in Transit: A Critique of the Tradition -- Later Views: A New Era -- Wittgenstein and the Composers -- Breakdown of Tradition -- Philosophy, Music and Therapy -- Bibliography -- Index -- Appeared earlier in the series: STUDIEN ZUR ÖSTERREICHISCHEN PHILOSOPHIE. |
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Sommario/riassunto |
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This book provides the first in-depth exploration of the importance of music for Ludwig Wittgenstein’s life and work. Wittgenstein’s remarks on music are essential for understanding his philosophy: they are on the nature of musical understanding, the relation of music to language, the concepts of representation and expression, on melody, irony and aspect-perception, and, on the great composers belonging to the Austrian-German tradition. Biography and philosophy, this work suggests that Wittgenstein was a composer of philosophy who used the musical form as a blueprint for his own writing and thought. For Wittgenstein music is not alone, but connects and resonates with our cultural forms of life. His relation to composers, especially to Richard Wagner and Gustav Mahler, enables Wittgenstein to address the question of how to do philosophy and compose music in the breakdown of tradition. Unlike his conservative musical sensibility, Wittgenstein’s philosophy is open to musical experiments. Reflecting on his remarks on music makes it possible to compare the therapeutic |
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aim of his philosophical activity with that of music, and thus notice affinities between Wittgenstein and John Cage. |
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