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1. |
Record Nr. |
UNINA9910465218503321 |
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Titolo |
The pianist's craft [[electronic resource] ] : mastering the works of great composers / / edited by Richard Paul Anderson |
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Pubbl/distr/stampa |
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Lanham, MD, : Scarecrow Press, 2012 |
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ISBN |
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1-283-43289-7 |
9786613432896 |
0-8108-8206-X |
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Descrizione fisica |
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1 online resource (305 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Piano - Performance |
Piano - Instruction and study |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Contents; Acknowledgments; Introduction; Chapter 01. Performing Scarlatti; Chapter 02. Problems and Chance; Chapter 03. A Pianist's Journey to the Classic Sonata; Chapter 04. Performing Mozart on a Modern Piano; Chapter 05. Genre References in Beethoven Sonatas; Chapter 06. Franz Schubert; Chapter 07. Schumann and Butterflies; Chapter 08. Teaching Tone, Technique, and Phrasing in the Piano Works of Chopin; Chapter 09. Color and Gesture in the Piano Music of Franz Liszt; Chapter 10. Interpreting Brahms; Chapter 11. Reflections on Ravel; Chapter 12. Imagination in the Piano Works of Debussy |
Chapter 13. Some Suggestions for Preparing and Playing RachmaninoffChapter 14. Finding the Essence of Late Scriabin in His Tenth Sonata; Chapter 15. Sergei Prokofiev; Chapter 16. The Piano Music of Dmitri Shostakovich; Chapter 17. Playing and Teaching the Piano Music of Béla Bartók; Chapter 18. George Gershwin; Chapter 19. Exploring Sonority and Drama Inside the Instrument; Index; About the Editor |
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Sommario/riassunto |
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In The Pianist's Craft, Richard Anderson collects from his fellow pianist-scholars 18 articles on the teaching, preparation, and performance of works by the greatest composers in the standard piano repertoire. The |
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contributors-all recognized nationally and internationally for their contributions as performing artists, teachers, recording artists, and clinicians-write thoughtfully about the composers whose work they have studied and played for years, examining questions of phrasing, tempo, articulation, dynamics, rhythm, c |
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2. |
Record Nr. |
UNINA9910555039503321 |
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Titolo |
A companion to the Holocaust / / edited by Simone Gigliotti, Hilary Earl |
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Pubbl/distr/stampa |
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Hoboken, NJ : , : Wiley Blackwell, , 2020 |
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ISBN |
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1-118-97050-0 |
1-118-97051-9 |
1-118-97049-7 |
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Descrizione fisica |
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Collana |
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Wiley Blackwell companions to world history |
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Disciplina |
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Soggetti |
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Holocaust, Jewish (1939-1945) - Historiography |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Part 1: New Orientations and Topical Integrations -- Framing chapter: Devin O. Pendas, 'Final Solution', Holocaust, Shoah, or Genocide? From Separate to Integrated Histories -- Cathie Carmichael, Raphael Lemkin and Genocide before the Holocaust: ethnic and religious minorities under attack -- Dan Stone, Ideologies of Race: the Construction and Suppression of Otherness in Nazi Germany -- William J. Spurlin, Queering Holocaust Studies: New Frameworks for Understanding Nazi Homophobia and the Politics of Sexuality under National Socialism -- Daniel Blatman, Holocaust as Genocide: Milestones in the Historiographical Discourse -- Part 2: Plunder, Extermination, and Prosecution -- Framing chapter: Edward B. Westermann, Old Nazis, Ordinary Men, and New Killers: Synthetic and Divergent Histories of Perpetrators -- Mark Spoerer, The Nazi War Economy, the Forced Labour System, and the Murder of Jewish and Non-Jewish Workers -- Waitman Wade Beorn, All the Other Neighbors: Communal Genocide in Eastern Europe -- Kim Christian Priemel, War Crimes Trials, the |
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Holocaust and Historiography, 1943- -- Bianca Gaudenzi, Crimes against Culture: From Plunder to postwar Restitution Politics -- Part 3: Reframing Jewish Histories -- Framing chapter: Dan Michman, Characteristics of Holocaust Historiography and their Contexts since 1990: Emphases, Perceptions, Developments, Debates -- David Engel, A Sustained Civilian Struggle: Rethinking Jewish Responses to the Nazi regime -- Guy Miron, Ghettos and Ghettoization: History and Historiography -- Martin C. Dean, Survivors of the Holocaust within the Nazi Universe of Camps -- Natalia Aleksiun, Social Networks of Support: Trajectories of Escape, Rescue, and Survival -- Joanna B. Michlic, A Young Person's War: the Disrupted Lives of Children and Youth -- Elisabeth Gallas and Laura Jockusch, Anything But Silent: Jewish Responses to the Holocaust in the Aftermath of World War II -- Part 4: Local, mobile and transnational Holocausts -- Framing chapter: Tim Cole, Geographies of the Holocaust -- Gerhard L. Weinberg, The Global 'Final Solution' and Nazi Imperialism -- Susanne Heim, Refugees' Routes: Emigration, Resettlement, andTransmigration -- David A. Messenger, The Geo-politics of Neutrality: Diplomacy, Refuge and Rescue during the Holocaust -- Alejandro Baer and Pedro Correa, Spain and the Holocaust: Contested Past, Contested Present -- Esther Webman, Contesting the "Zionist" Narrative: Arab Responses to the Holocaust -- Aomar Boum, Re-drawing Holocaust Geographies: A Cartography of Vichy and Nazi Reach into North Africa -- Part 5: Witnessing in dialogue: testifiers, readers and viewers -- Framing chapter: Alan Rosen, The Holocaust Witness: Wartime and Postwar Voices -- Monika J. Flaschka, Sexual Violence: Recovering a Suppressed History -- Jonathan Druker, Ethical Grey Zones: On Coercion and Complicity in the Concentration Camp and Beyond -- Carol Zemel, Holocaust Photography and the Challenge of the Visual -- Nicholas Chare, Holocaust Memory in a Post-Survivor World: Bearing Lasting Witness -- Noah Shenker, Post Memory: Digital Testimony and the Future of Witnessing -- Part 6: Human rights and visual culture -- Framing chapter: Valerie Hébert, The Problem of Human Rights after the Holocaust -- David B. MacDonald, Indigenous Genocide and Perceptions of the Holocaust in Canada -- Avril Alba, Lessons from History? The Future of Holocaust Education -- Amanda F. Grzyb, The Changing Landscape of Holocaust Memorialization in Poland -- Meghan Lundrigan, #Holocaust #Auschwitz: Performing Holocaust Memory on Social Media -- Daniel H. Magilow, Contemporary Holocaust Film Beyond MimeticImperatives. |
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Sommario/riassunto |
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"How we label things determines in part how we understand them. There is no name for the mass murder of European Jews in the 1940s that is not also simultaneously an interpretation. Final Solution, Holocaust, Shoah, Genocide: each of these implies a certain analysis of what happened and why. Thus the changing (and contested) names attached to the mass murder of European Jewry over the past seventy years also suggest shifts over time in how the event has been interpreted. Similarly, these names reflect a series of debates among historians about how best to analyze the destruction of Europe's Jews. Some of these debates have been more or less resolved, but many persist and seem likely to continue for the foreseeable future. It can thus hardly be the goal of this chapter to resolve these debates or to offer a definitive interpretation of the mass murder. Rather, I want to trace, in broad terms, the trajectory of Holocaust historiography from the first Jewish histories of the Holocaust to today in order to give a sense of where the historiography stands now and how it got here."-- |
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