|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910465184703321 |
|
|
Autore |
Sonstegard Adam <1971-> |
|
|
Titolo |
Artistic liberties : American literary realism and graphic illustration, 1880-1905 / / Adam Sonstegard ; cover design Mary Elizabeth Watson |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Tuscaloosa, Alabama : , : The University of Alabama Press, , 2014 |
|
©2014 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (247 p.) |
|
|
|
|
|
|
Collana |
|
Studies in American Literary Realism and Naturalism |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
American fiction |
Illustration of books - United States - History - 19th century |
Publishers and publishing - United States - History - 19th century |
Stereotypes (Social psychology) in art |
Stereotypes (Social psychology) in literature |
Electronic books. |
United States Ethnic relations History 19th century |
United States Race relations History 19th century |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Contents; List of Illustrations; Acknowledgments; Introduction: Reading Rivalries in Illustrated Literary Realism; 1. Kemble and Twain: Sketching ""Truths"" within the Minstrel Masquerade; 2. Kemble and Stowe: Taking Liberties with Slave Imagery; 3. Loeb and Twain: Returning to the Illustrated Scene of the Crime; 4. Newell and Crane: Keeping Close to a Personal Honesty of Vision; 5. Kemble and Dunbar: Manipulating the Masks of Folks from Dixie; 6. Wenzell and Wharton: Marketing 'The House of Mirth's' Disigns; Coda. Owen, Skeete, and Hopkins: Countering the Caricatures of Literary Realism |
NotesWorks Cited; Index |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
"Artistic Liberties is a landmark study of the illustrations that originally accompanied now-classic works of American literary realism and the ways editors, authors, and illustrators vied for authority over the publications"-- |
|
|
|
|
|
|
|