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1. |
Record Nr. |
UNINA9910465135303321 |
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Autore |
Krumhansl Carol L |
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Titolo |
Cognitive foundations of musical pitch [[electronic resource] /] / Carol L. Krumhansl |
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Pubbl/distr/stampa |
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New York, : Oxford University Press, 1990 |
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ISBN |
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0-19-514836-3 |
1-4237-3872-1 |
1-280-48178-1 |
0-19-802215-8 |
9786610481781 |
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Descrizione fisica |
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1 online resource (318 p.) |
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Collana |
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Oxford psychology series ; ; no. 17 |
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Disciplina |
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Soggetti |
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Music - Psychological aspects |
Musical pitch |
Cognitive psychology |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and indexes. |
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Nota di contenuto |
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Contents; 1. OBJECTIVES AND METHODS; The approach of cognitive psychology; The plan of the research; Outline of the following chapters; 2. QUANTIFYING TONAL HIERARCHIES AND KEY DISTANCES; The tonal hierarchy; The first probe tone study: individual differences with a major-key context; Replication and extension to minor-key contexts; A derived measure of interkey distance; A spatial representation of interkey distance; Theoretical maps of key relationships; 3. MUSICAL CORRELATES OF PERCEIVED TONAL HIERARCHIES; Tonal consonance; Tonal consonance and tonal hierarchies |
Statistical analyses of tonal compositions Tonal distributions and tonal hierarchies; Tonal hierarchies, tonal consonance, and tonal distributions; 4. A KEY-FINDING ALGORITHM BASED ON TONAL HIERARCHIES; The key-finding algorithm; Application I: initial segments of preludes of J. S. Bach, Shostakovich, and Chopin; Application II: fugue subjects of J. S. Bach and Shostakovich; Application III: J. S. Bach's C Minor Prelude, Book II; Limitations and possible extensions of the |
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algorithm; 5. PERCEIVED RELATIONS BETWEEN MUSICAL TONES; Geometric representations of musical pitch |
Limitations of geometric models Experimental measures of tonal relations; Correlations with tonal consonance and tonal distributions; 6. PERCEPTUAL ORGANIZATION AND PITCH MEMORY; Gestalt theory; Three principles of tonal stability; Perceptual organization in music: Segmentation and melodic similarity; 7. QUANTIFYING HARMONIC HIERARCHIES AND KEY DISTANCES; Music-theoretical descriptions of harmony; Quantifying the harmonic hierarchy; Harmonic hierarchy of diatonic triads I-VII; Deriving key distances from harmonic hierarchies; 8. PERCEIVED HARMONIC RELATIONS |
Perceived harmonic relations and key structure Perceived harmonic relations of diatonic triads I-VII; Key context effects on perceived harmonic relations; Key structure and memory for chord sequences; Key context effects on memory for chord sequences; Relational effects on memory for chord sequences; Parallels between perceived tonal and harmonic structures; 9. PERCEIVING MULTIPLE KEYS: MODULATION AND POLYTONALITY; Tracing the developing and changing sense of key; Tonal hierarchies and polytonality; 10. TONAL HIERARCHIES IN ATONAL AND NON-WESTERN TONAL MUSIC |
Tonal hierarchies in 12-tone serial music Tonal hierarchies in North Indian music; Tonal hierarchies in Balinese music; Tonal hierarchies: some generalizations; 11. MUSIC COGNITION: THEORETICAL AND EMPIRICAL GENERALIZATIONS; Properties of the diatonic-harmonic system; Properties of pentatonic, octatonic, and North Indian scales; Properties emerging from the empirical studies; References; Author index; Subject index; |
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Sommario/riassunto |
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This book addresses the central problem of music cognition: how listeners' responses move beyond mere registration of auditory events to include the organization, interpretation, and remembrance of these events in terms of their function in a musical context of pitch and rhythm. Equally important, the work offers an analysis of the relationship between the psychological organization of music and its internal structure. Combining over a decade of original research on music cognition with an overview of the available literature, the work will be of interest to cognitive and physiological psychol |
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2. |
Record Nr. |
UNIORUON00221964 |
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Autore |
MASTOMINICO, Bianca |
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Titolo |
Mama : liberamente tratto da Gabriel Garcia Márquez / di Bianca Mastrominico. Napoli : produzione Compagnia del Sancarluccio, s.d. 1 v. : ill. ; 24 cm Opera messa in scena al Teatro Sancarluccio di Napoli, il 25 febbraio 1994, regia di Bianca Mastrominico voce Pina Cipriani |
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Disciplina |
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Soggetti |
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MUSICA E LETTERATURA |
DONNE CANTANTI |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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