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1. |
Record Nr. |
UNINA9910466709203321 |
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Autore |
Constant Benjamin |
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Titolo |
Articles de journaux, 1819-1820 / / édités par Léonard Burnand |
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Pubbl/distr/stampa |
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Berlin ; ; Boston : , : De Gruyter, , [2018] |
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©2018 |
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ISBN |
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Descrizione fisica |
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1 online resource (714 pages) |
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Collana |
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℗Œuvres complÌ€etes ; ; 13 |
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Disciplina |
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Soggetti |
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LITERARY CRITICISM / European / French |
LANGUAGE ARTS & DISCIPLINES / Communication Studies |
PHILOSOPHY / Political |
PHILOSOPHY / Religious |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Frontmatter -- Table des matières -- Table des illustrations -- Principes d'édition des OEuvres complètes -- Signes, symboles, sigles et abréviations -- Chronologie -- Introduction générale au tome XIII -- Sources -- 1. Articles de La Minerve française. Part 1 -- 1. Articles de La Minerve française. Part 2 -- 2. Articles de La Renommée -- 3. Articles du Courrier français -- 4. Articles des Lettres normandes -- 5. Articles divers -- 6. Instruments bibliographiques -- Index des noms de personnes |
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Sommario/riassunto |
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Ce volume XIII contient l'ensemble des articles publiés par Benjamin Constant durant les années 1819-1820, soit près de 120 contributions. Parus dans les principaux journaux libéraux de cette période (La Minerve française, La Renommée, Le Courrier français...), ces textes révèlent une facette essentielle et méconnue de l'engagement politique et intellectuel de Constant sous la Restauration.Il s'agit de la première édition véritablement scientifique et exhaustive de cet important corpus d'articles, dont la qualité et la diversité démontrent que Constant ne fut pas seulement un grand romancier et théoricien politique, mais aussi un journaliste de premier plan. |
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2. |
Record Nr. |
UNINA9910464847203321 |
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Autore |
Kyriakou Poulheria |
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Titolo |
A commentary on Euripides' Iphigenia in Tauris [[electronic resource] /] / by Poulheria Kyriakou |
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Pubbl/distr/stampa |
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Berlin ; ; New York, : De Gruyer, 2006 |
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ISBN |
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Descrizione fisica |
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1 online resource (516 p.) |
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Collana |
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Untersuchungen zur antiken Literatur und Geschichte, , 1862-1112 ; ; Bd. 80 |
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Disciplina |
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Soggetti |
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Greek drama (Tragedy) - History and criticism |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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"Metrical analysis of lyric parts": p. [469]-479. |
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Nota di bibliografia |
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Includes bibliographical references (p. [483]-489) and indexes. |
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Nota di contenuto |
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Front matter -- Acknowledgments -- Contents -- Introduction -- Commentary. Part 1 -- Commentary. Part 2 -- Commentary. Part 3 -- Metrical analysis of lyric parts -- Bibliography -- Indexes |
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Sommario/riassunto |
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This work is the first major commentary on Euripides' Iphigenia in Tauris to appear in English in more than 65 years. It offers detailed analysis of a fascinating play that scholars so far had considered mainly as a source of information about Athenian cult and viewed as a romantic adventure story with happy end. Apart from including sober assessments of textual, linguistic and metrical problems, the commentary sheds new light on the play's treatment of myth, its intricate structure, presentation of character, and place in Euripides' work. In particular it offers fresh insights into the play's relationship to the literary tradition, especially its treatment of the crimes of the Pelopids, and its presentation of the complex, ambiguous relationship of humans and gods as well as that of Greeks and barbarians. Unlike most other tragedies, Iphigenia in Tauris does not feature any villain and avoids concentrating on past crimes and their corrosive influence on the characters' present. The Taurians are not portrayed simply as savage and slow barbarians and Iphigenia, the most intelligent character, fails to transcend her limitations. Religion and cult in both myth and contemporary Athens are a mixture of traditional and invented elements and the play as a whole turns out to be an intriguing |
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and unique experiment in Euripides' career. |
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