1.

Record Nr.

UNINA9910466709203321

Autore

Constant Benjamin

Titolo

Articles de journaux, 1819-1820 / / édités par Léonard Burnand

Pubbl/distr/stampa

Berlin ; ; Boston : , : De Gruyter, , [2018]

©2018

ISBN

3-11-056158-1

Descrizione fisica

1 online resource (714 pages)

Collana

℗Œuvres complÌ€etes ; ; 13

Disciplina

848/.609

Soggetti

LITERARY CRITICISM / European / French

LANGUAGE ARTS & DISCIPLINES / Communication Studies

PHILOSOPHY / Political

PHILOSOPHY / Religious

Electronic books.

Lingua di pubblicazione

Francese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Frontmatter -- Table des matières -- Table des illustrations -- Principes d'édition des OEuvres complètes -- Signes, symboles, sigles et abréviations -- Chronologie -- Introduction générale au tome XIII -- Sources -- 1. Articles de La Minerve française. Part 1 -- 1. Articles de La Minerve française. Part 2 -- 2. Articles de La Renommée -- 3. Articles du Courrier français -- 4. Articles des Lettres normandes -- 5. Articles divers -- 6. Instruments bibliographiques -- Index des noms de personnes

Sommario/riassunto

Ce volume XIII contient l'ensemble des articles publiés par Benjamin Constant durant les années 1819-1820, soit près de 120 contributions. Parus dans les principaux journaux libéraux de cette période (La Minerve française, La Renommée, Le Courrier français...), ces textes révèlent une facette essentielle et méconnue de l'engagement politique et intellectuel de Constant sous la Restauration.Il s'agit de la première édition véritablement scientifique et exhaustive de cet important corpus d'articles, dont la qualité et la diversité démontrent que Constant ne fut pas seulement un grand romancier et théoricien politique, mais aussi un journaliste de premier plan.



2.

Record Nr.

UNINA9910464847203321

Autore

Kyriakou Poulheria

Titolo

A commentary on Euripides' Iphigenia in Tauris [[electronic resource] /] / by Poulheria Kyriakou

Pubbl/distr/stampa

Berlin ; ; New York, : De Gruyer, 2006

ISBN

3-11-092660-1

Descrizione fisica

1 online resource (516 p.)

Collana

Untersuchungen zur antiken Literatur und Geschichte, , 1862-1112 ; ; Bd. 80

Disciplina

882.0109

Soggetti

Greek drama (Tragedy) - History and criticism

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

"Metrical analysis of lyric parts": p. [469]-479.

Nota di bibliografia

Includes bibliographical references (p. [483]-489) and indexes.

Nota di contenuto

Front matter -- Acknowledgments -- Contents -- Introduction -- Commentary. Part 1 -- Commentary. Part 2 -- Commentary. Part 3 -- Metrical analysis of lyric parts -- Bibliography -- Indexes

Sommario/riassunto

This work is the first major commentary on Euripides' Iphigenia in Tauris to appear in English in more than 65 years. It offers detailed analysis of a fascinating play that scholars so far had considered mainly as a source of information about Athenian cult and viewed as a romantic adventure story with happy end. Apart from including sober assessments of textual, linguistic and metrical problems, the commentary sheds new light on the play's treatment of myth, its intricate structure, presentation of character, and place in Euripides' work. In particular it offers fresh insights into the play's relationship to the literary tradition, especially its treatment of the crimes of the Pelopids, and its presentation of the complex, ambiguous relationship of humans and gods as well as that of Greeks and barbarians. Unlike most other tragedies, Iphigenia in Tauris does not feature any villain and avoids concentrating on past crimes and their corrosive influence on the characters' present. The Taurians are not portrayed simply as savage and slow barbarians and Iphigenia, the most intelligent character, fails to transcend her limitations. Religion and cult in both myth and contemporary Athens are a mixture of traditional and invented elements and the play as a whole turns out to be an intriguing



and unique experiment in Euripides' career.