1.

Record Nr.

UNINA9910464407003321

Autore

Faust Avi

Titolo

Judah in the neo-Babylonian period : the archaeology of desolation / / by Avraham Faust

Pubbl/distr/stampa

Atlanta, Georgia : , : Society of Biblical Literature, , 2012

©2012

ISBN

1-58983-641-3

Descrizione fisica

1 online resource (317 p.)

Collana

Society of Biblical Literature Archaeology and Biblical Studies ; ; Number 18

Disciplina

933/.4903

Soggetti

Jews - History - Babylonian captivity, 598-515 B.C

Excavations (Archaeology) - Palestine

Jews - Palestine - Material culture

Material culture - Palestine

Judaism - History - Post-exilic period, 586 B.C.-210 A.D

Electronic books.

Palestine History To 70 A.D

Palestine Antiquities

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and indexes.



2.

Record Nr.

UNINA9910458444403321

Autore

Tilley Christopher Y.

Titolo

Body and image : explorations in landscape phenomenology 2 / / Christopher Tilley ; with assistance of Wayne Bennett

Pubbl/distr/stampa

London : , : Routledge, , 2016

ISBN

1-315-43284-6

1-315-43285-4

1-59874-764-9

Descrizione fisica

1 online resource (289 p.)

Altri autori (Persone)

BennettWayne <1954->

Disciplina

930.1/4

Soggetti

Megalithic monuments

Architecture, Prehistoric

Petroglyphs

Land settlement patterns, Prehistoric

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

First published 2008 by Left Coast Press, Inc.

Nota di bibliografia

Includes bibliographical references (p. 273-282) and index.

Nota di contenuto

Body and image -- Vingen -- Ireland -- Norrkoping.5650.

Sommario/riassunto

The understanding and interpretation of ancient architecture, landscapes, and art has always been viewed through an iconographic lens-a cognitive process based on traditional practices in art history. But ancient people did not ascribe their visions on canvas, rather on hills, stones, and fields. Thus, Chris Tilley argues, the iconographic approach falls short of understanding how ancient people interacted with their imagery. A kinaesthetic approach, one that uses the full body and all the senses, can better approximate the meaning that these artifacts had for their makers and today's viewers.