1.

Record Nr.

UNINA9910464251603321

Autore

Glynn Stephen

Titolo

Quadrophenia / / Stephen Glynn ; book design by Elsa Mathern

Pubbl/distr/stampa

London, [England] ; ; New York : , : Wallflower Press, , 2014

©2014

ISBN

0-231-85055-7

Descrizione fisica

1 online resource (169 p.)

Collana

Cultographies

Disciplina

791.4372

Soggetti

Motion pictures - Production and direction

Mod culture (Subculture)

Rocker culture

Electronic books.

England 20th century Social conditions

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Front matter -- CONTENTS -- Acknowledgements -- Foreword -- 1. Prequel: Cult into Music -- 2. Production: Cult into Film -- 3. Analysis: Film of Cult -- 4. Reception and Afterlife: Film into Cult -- Epilogue -- Appendix -- Notes -- Bibliography -- Index

Sommario/riassunto

1964: Mods clash with Rockers in Brighton, creating a moral panic. 1973: ex-Mod band The Who release Quadrophenia, a concept album following young Mod Jimmy Cooper to the Brighton riots and beyond. 1979: Franc Roddam directs Quadrophenia, a film based on Pete Townshend's album narrative; its cult status is immediate. 2013: almost fifty years on from Brighton, this first academic study explores the lasting appeal of 'England's Rebel Without a Cause'. Investigating academic, music, press, and fan-based responses, Glynn argues that the 'Modyssey' enacted in Quadrophenia intrigues because it opens a hermetic subculture to its social-realist context; it enriches because it is a cult film that dares to explore the dangers in being part of a cult; it endures because of its 'emotional honesty', showing Jimmy as failing, with family, job, girl, and group; it excites because we all know that, at some point in our lives, 'I was there!'