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Record Nr. |
UNINA9910464186103321 |
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Autore |
Glazier Loss Pequeño |
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Titolo |
Digital Poetics [[electronic resource] ] : Hypertext, Visual-Kinetic Text and Writing in Programmable Media |
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Pubbl/distr/stampa |
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Tuscaloosa, : University of Alabama Press, 2013 |
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ISBN |
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Descrizione fisica |
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1 online resource (226 p.) |
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Collana |
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Modern and Contemporary Poetics |
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Disciplina |
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Soggetti |
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Art and the Internet |
Poetics |
Visual kinetics |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Contents; Acknowledgments; Introduction: Language as Transmission; Sidebar: On Techne; 1. Jumping to Occlusions: A Manifesto for Digital Poetics; 2. Our Words; Sidebar: The "I" in "Internet"; 3. Home, Haunt, Page; 4. The Intermedial: A Treatise; 5. Hypertext/Hyperpoeisis/Hyperpoetics; 6. Coding Writing, Reading Code; Sidebar: On Mouseover; 7. E-poetries: A Lab Book of Digital Practice, 1970-2001; 8. Future Tenses/Present Tensions: A Prospectus for E-poetry; Sidebar: Tin Man Weeps Straw Break; Epilogue. Between the Academy and a Hard Drive: An E-cology of Innovative Practice; Notes; Glossary |
Works Cited Index |
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Sommario/riassunto |
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In this revolutionary and highly original work, poet-scholar Glazier investigates the ways in which computer technology has influenced and transformed the writing and dissemination of poetry. In Digital Poetics, Loss Pequeño Glazier argues that the increase in computer technology and accessibility, specifically the World Wide Web, has created a new and viable place for the writing and dissemination of poetry. Glazier's work not only introduces the reader to the current state of electronic writing but also outlines the historical and technical contexts |
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