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1. |
Record Nr. |
UNINA9910464121703321 |
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Titolo |
Music and modernism, c. 1849-1950 [[electronic resource] /] / edited by Charlotte de Mille |
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Pubbl/distr/stampa |
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Newcastle upon Tyne, UK, : Cambridge Scholars Pub., 2011 |
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ISBN |
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1-283-14262-7 |
9786613142627 |
1-4438-2819-X |
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Descrizione fisica |
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1 online resource (363 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Modernism (Music) |
Music - 20th century - Philosophy and aesthetics |
Music - 19th century - Philosophy and aesthetics |
Modernism (Art) |
Arts, Modern - 19th century |
Arts, Modern - 20th century |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [309]-334) and index. |
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Nota di contenuto |
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TABLE OF CONTENTS; LIST OF ILLUSTRATIONS; ACKNOWLEDGEMENTS; INTRODUCTION; HOW TO PAINT A FUGUE; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; PART II; CHAPTER FOUR; CHAPTER FIVE; PART III; CHAPTER SIX; CHAPTER SEVEN; PART IV; CHAPTER EIGHT; CHAPTER NINE; PART V; CHAPTER TEN; CHAPTER ELEVEN; BIBLIOGRAPHY; CONTRIBUTORS; INDEX |
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Sommario/riassunto |
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Music and Modernism is a collection of essays which re-evaluate the significant connections between the disciplines of music, fine art and architecture in the period covering the emergence and flowering of modernism, c. 1849 - 1950. Combining established scholars in the field with those at the start of their careers, this book presents an exceptional cross-section of European and American modernism through a series of detailed case-studies. Avoiding a simplistic engagement with cross- or inte... |
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2. |
Record Nr. |
UNINA9910451498703321 |
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Autore |
Rigaud Margaret |
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Titolo |
Henri Michaux [[electronic resource] ] : poetry, painting, and the universal sign / / Margaret Rigaud-Drayton |
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Pubbl/distr/stampa |
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Oxford, : Clarendon Press |
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New York, : Oxford University Press, 2005 |
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ISBN |
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1-281-34594-6 |
9786611345945 |
0-19-153516-8 |
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Descrizione fisica |
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1 online resource (194 p.) |
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Collana |
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Oxford modern languages and literature monographs |
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Disciplina |
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Soggetti |
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Language, Universal |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Based on the author's thesis (doctoral)--University of Oxford, 1999. |
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Nota di bibliografia |
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Includes bibliographical references (p. [165]-176) and index. |
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Nota di contenuto |
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Contents; List of Illustrations; Abbreviation; Introduction; 1. Michaux between France and Belgium; 2. Self and Other; 3. Dreaming of a Universal Language; 4. Writing in Another (French) Language; 5. Writing and Painting Vision; 6. Natural Signs between Writing and Drawing; Conclusion; Bibliography; Index |
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Sommario/riassunto |
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Henri Michaux is widely recognized as a major twentieth-century French poet and painter. Although his fascination with universal languages has attracted critical attention, it has up until now been treated as a marginal concern. This study argues that Michaux's ideas on universal languages are central to an understanding of his works. - ;Henri Michaux is widely recognized as a major twentieth-century French poet and painter. Although his fascination with universal languages has attracted the attention of several of his critics, it has up until now been treated as a marginal concern. Henri Mich |
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