|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910464043903321 |
|
|
Autore |
Vander Lugt Wesley <1981-> |
|
|
Titolo |
Living theodrama : reimagining theological ethics / / Wesley Vander Lugt ; with a foreword by Sam Wells |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Surrey, England ; ; Burlington, Vermont : , : Ashgate, , 2014 |
|
{phono}℗♭2014 |
|
|
|
|
|
|
|
|
|
ISBN |
|
1-317-10393-9 |
1-317-10392-0 |
1-4724-1944-8 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (256 p.) |
|
|
|
|
|
|
Collana |
|
Ashgate studies in theology, imagination, and the arts |
|
|
|
|
|
|
Altri autori (Persone) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Christian ethics |
Theater - Religious aspects - Christianity |
Performing arts - Religious aspects - Christianity |
Religion and drama |
Christianity and the arts |
Electronic books. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and indexes. |
|
|
|
|
|
|
Nota di contenuto |
|
Cover; Contents; List of Figures; Foreword; Acknowledgments; List of Abbreviations; 1 Prologue to a Theatrical Theology; 2 Practicing Theodramatics: Formation and Performance; 3 Playwrights, Protagonists, Producers, and Trinitarian Theodramatics; 4 Scripts, Plots, and Biblical Theodramatics; 5 Companies, Characters, and Ecclesial Theodramatics; 6 Repetition, Innovation, and Traditional Theodramatics; 7 Audiences, Interaction, and Missional Theodramatics; 8 Environments, Places, and Contextual Theodramatics; Epilogue; Bibliography; Index; Scripture Index |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Offering an imaginative approach through dialogue with theatrical theory and practice, Vander Lugt demonstrates a new way to integrate actor-oriented and action-oriented approaches to Christian ethics within a comprehensive theodramatic model. This book contains not only a fruitful exchange between theological ethics and theatre, but it |
|
|
|
|