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Record Nr. |
UNINA9910463853003321 |
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Autore |
Miguélez Cavero Laura |
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Titolo |
Triphiodorus, The sack of Troy : a general study and a commentary / / by Laura Miguélez-Cavero |
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Pubbl/distr/stampa |
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Berlin ; ; Boston : , : De Gruyter, , [2013] |
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©2013 |
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ISBN |
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Descrizione fisica |
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1 online resource (547 p.) |
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Collana |
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Texte und Kommentare ; ; Band 45 |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Greek literature - History and criticism |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and indexes. |
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Nota di contenuto |
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Triphiodorus: name, origin, date and lost works -- The sack of Troy: an overview -- General design -- Enigmas -- Characterisation -- The narrator -- Speeches -- Literary universe: Triphiodorus and the epic tradition -- Triphiodorus and Homer -- Triphiodorus and the cycle -- Hesiod and Pindar -- Tragic Triphiodorus -- Triphiodorus' Hellenistic readings -- Triphiodorus and Virgil -- Triphiodorus and imperial literature -- Triphiodorus and the contemporary literary scene -- Metrics -- Reading The sack of Troy -- Greek text -- Commentary. |
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Sommario/riassunto |
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The last full commentary on The Sack of Troy was published by Wernicke in 1819 and even the most recent analyses of the poem tend to see it as a quick halt in the evolution of epic poetry on its way towards Nonnus of Panopolis. This book offers a complete treatment of The Sack of Troy for its own sake. The introduction gathers all the information we have about Triphiodorus and his work, focusing on the reasons behind the election of topic, the outline of the poem, different forms of allusion, the use of the characterisation of individuals and groups to sustain plot development, the nature of the narrator and the value of speeches. This part is followed by a detailed analysis of Triphiodorus’ literary universe: his different forms of engagement not only with Homer and other distant poets, but also with Imperial literature and the contemporary cultural production. The line-by-line |
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