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Record Nr. |
UNINA9910463343003321 |
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Autore |
Vernallis Carol |
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Titolo |
Unruly Media [[electronic resource] ] : YouTube, Music Video, and the New Digital Cinema |
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Pubbl/distr/stampa |
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Oxford, : Oxford University Press, USA, 2013 |
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ISBN |
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Descrizione fisica |
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1 online resource (365 p.) |
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Disciplina |
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Soggetti |
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Digital media -- Technological innovations |
Music videos -- History and criticism |
Music videos |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Cover; Contents; Acknowledgments; Introduction; PART I: NEW DIGITAL CINEMA; CHAPTER 1. The New Cut-Up Cinema; CHAPTER 2. The Audiovisual Turn and Post-Classical Cinema; CHAPTER 3. Music Video into Post-Classical Cinema; CHAPTER 4. Moulin Rouge!: Delirious Cinema; CHAPTER 5. Music Video, Songs, Sound: Eternal Sunshine of the Spotless Mind; CHAPTER 6. Reciprocity, Bollywood, and Music Video: Mani Ratnam's Dil Se and Yuva; PART II: YOUTUBE; CHAPTER 7. YouTube Aesthetics; CHAPTER 8. Audiovisual Change: Viral Web Media and the Obama Campaign |
CHAPTER 9. Reconfiguring Music Video: Beyoncé's "Video Phone"PART III: MUSIC VIDEO; CHAPTER 10. Music Video's Second Aesthetic?; CHAPTER 11. Digital Style: Francis Lawrence and Dave Meyers; CHAPTER 12. A Music Video Canon?; Afterword: Accelerated Aesthetics: A New Lexicon of Time, Space, and Rhythm; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z |
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Sommario/riassunto |
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Unruly Media argues that we are the crest of a new international style in which sonic and visual parameters become heightened and accelerated. This audiovisual turn calls for new forms of attention. Post-classical cinema, with its multi-plot narratives and flashy style, fragments under the influence of audiovisual numbers and music-video-like sync. Music |
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video becomes more than a way of selling songs. YouTube's brief, low-res clips encompass many forms and foreground reiteration, graphic values and affective intensity. These three media are riven by one another: a trajectory from YouTube throu |
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