1.

Record Nr.

UNINA9910463258303321

Autore

Harris Jonathan Gil

Titolo

Sick economies [[electronic resource] ] : drama, mercantilism, and disease in Shakespeare's England / / Jonathan Gil Harris

Pubbl/distr/stampa

Philadelphia, : University of Pennsylvania Press, c2004

ISBN

0-8122-0219-8

Descrizione fisica

1 online resource (272 p.)

Classificazione

HI 1117

Disciplina

822.33

Soggetti

English drama - Early modern and Elizabethan, 1500-1600 - History and criticism

Economics in literature

Literature and medicine - England - History - 16th century

Literature and medicine - England - History - 17th century

Mercantile system - Great Britain - History - 16th century

Mercantile system - Great Britain - History - 17th century

English drama - 17th century - History and criticism

Diseases in literature

Electronic books.

Great Britain Economic conditions 16th century

England Economic conditions 17th century

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references (p. [235]-252) and index.

Nota di contenuto

Frontmatter -- Contents -- 1 The Asian Flu; Or, The Pathological Drama of National Economy -- 2 Syphilis and Trade: Thomas Starkey, Thomas Smith, The Comedy of Errors -- 3 Taint and Usury: Gerard Malynes, The Dutch Church Libel, The Merchant of Venice -- 4 Canker/Serpego and Value: Gerard Malynes, Troilus and Cressida -- 5 Plague and Transmigration: Timothy Bright, Thomas Milles, Volpone -- 6 Hepatitis/Castration and Treasure: Edward Misselden, Gerard Malynes, The Fair Maid of the West, The Renegado -- 7 Consumption and Consumption: Thomas Mun, The Roaring Girl -- 8 Afterword: Anthrax, Cyberworms, and the New Ethereal Economy -- Notes -- Bibliography -- Index -- Acknowledgments



Sommario/riassunto

From French Physiocrat theories of the blood-like circulation of wealth to Adam Smith's "invisible hand" of the market, the body has played a crucial role in Western perceptions of the economic. In Renaissance culture, however, the dominant bodily metaphors for national wealth and economy were derived from the relatively new language of infectious disease. Whereas traditional Galenic medicine had understood illness as a state of imbalance within the body, early modern writers increasingly reimagined disease as an invasive foreign agent. The rapid rise of global trade in the sixteenth century, and the resulting migrations of people, money, and commodities across national borders, contributed to this growing pathologization of the foreign; conversely, the new trade-inflected vocabularies of disease helped writers to represent the contours of national and global economies.Grounded in scrupulous analyses of cultural and economic history, Sick Economies: Drama, Mercantilism, and Disease in Shakespeare's England teases out the double helix of the pathological and the economic in two seemingly disparate spheres of early modern textual production: drama and mercantilist writing. Of particular interest to this study are the ways English playwrights, such as Shakespeare, Jonson, Heywood, Massinger, and Middleton, and mercantilists, such as Malynes, Milles, Misselden, and Mun, rooted their conceptions of national economy in the language of disease. Some of these diseases-syphilis, taint, canker, plague, hepatitis-have subsequently lost their economic connotations; others-most notably consumption-remain integral to the modern economic lexicon but have by and large shed their pathological senses.Breaking new ground by analyzing English mercantilism primarily as a discursive rather than an ideological or economic system, Sick Economies provides a compelling history of how, even in our own time, defenses of transnational economy have paradoxically pathologized the foreign. In the process, Jonathan Gil Harris argues that what we now regard as the discrete sphere of the economic cannot be disentangled from seemingly unrelated domains of Renaissance culture, especially medicine and the theater.