| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNISA990002230560203316 |
|
|
Autore |
LOWITH, Karl |
|
|
Titolo |
Da Hegel a Nietzsche : la frattura rivoluzionaria nel pensiero del secolo 19. / Karl Lowith |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
|
|
|
|
Edizione |
[Nuova ed. riveduta] |
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Collana |
|
Biblioteca di cultura filosofica ; 9 |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Filosofia Germanica - Sec. 19 |
|
|
|
|
|
|
Collocazione |
|
XXX.A. Coll. 21/ 4 (Coll. A 9) |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Nota di contenuto |
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910463168403321 |
|
|
Autore |
Tsang Hing |
|
|
Titolo |
Semiotics and documentary film : the living sign in the cinema / / Hing Tsang |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Boston ; ; Berlin : , : De Gruyter Mouton, , [2013] |
|
©2013 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (210 p.) |
|
|
|
|
|
|
Collana |
|
Semiotics, Communication and Cognition [SCC] ; ; 11 |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Documentary films |
Semiotics |
Electronic books. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Front matter -- Acknowledgements -- Contents -- List of tables and figures. Notes on citations and tables -- Preface -- 1 Peirce's Semeiotic and the Living Sign -- 2 Parallel Developments and Divergences -- 3 Rupture, Dissent, and Conflict in the Cinema of Jon Jost -- 4 War and biophilia in the cinema of Johan van der Keuken -- 5 Terror and love in the cinema of Rithy Panh -- Conclusion -- References -- Index |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Semiotics and Documentary Film: The Living Sign in the Cinema engages with very vital problems posed by Peirce's philosophy in an innovative and inter-disciplinary fashion by examining how documentary film practice can engage with the question of emergent human agency within a wider biosphere shared by human animals and non-human animals alike. The book is in many ways a celebration of human inquiry, taking liberally from Peirce's semeiotic and parallel ideas within recent visual anthropology. Through an analysis of the work of three renowned filmmakers - Jon Jost, Johan Van der Keuken, and Rithy Panh - Semiotics and Documentary Film: The Living Sign in the Cinema reasserts human agency within a global age, dominated by philosophical scepticism and an unquestioning subservience to mechanistic military techno-culture. The author argues that an approach to documentary inquiry, broadly derived from Peirce's sign |
|
|
|
|
|
|
|
|
|
|
theory, phenomenology, and overall philosophical outlook, has strong advantages over a temporal formal approaches derived from Saussurean semiology. Nevertheless, this project is also both critical and self-critical. It also bears direct testament to the many tumultuous and life-destroying events of the late 20th century and reminds us of the moral and philosophical problems which we are still grappling with in the early 21st century. Hence - the Living Sign. |
|
|
|
|
|
| |