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Record Nr. |
UNINA9910462918403321 |
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Autore |
Mazzeo Tilar J |
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Titolo |
Plagiarism and literary property in the Romantic period [[electronic resource] /] / Tilar J. Mazzeo |
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Pubbl/distr/stampa |
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Philadelphia, : University of Pennsylvania Press, c2007 |
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ISBN |
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Descrizione fisica |
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1 online resource (256 p.) |
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Collana |
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Material Texts |
Material texts |
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Disciplina |
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Soggetti |
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English poetry - 19th century - History and criticism |
Intellectual property - Great Britain - History - 18th century |
Intellectual property - Great Britain - History - 19th century |
Plagiarism - Great Britain - History - 18th century |
Plagiarism - Great Britain - History - 19th century |
Romanticism - Great Britain |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [211]-226) and index. |
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Nota di contenuto |
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Frontmatter -- Contents -- Abbreviations -- Preface -- Chapter 1 Romantic Plagiarism and the Critical Inheritance -- Chapter 2 Coleridge, Plagiarism, and Narrative Mastery -- Chapter 3 Property and the Margins of Literary Print Culture -- Chapter 4 "The Slip-Shod Muse": Byron, Originality, and Aesthetic Plagiarism -- Chapter 5 Monstrosities Strung into an Epic: Travel Writing and the Defense of "Modern" Poetry -- Chapter 6 Poaching on the Literary Estate: Class, Improvement, and Enclosure -- Afterword -- Notes -- Bibliography -- Index -- Acknowledgments |
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Sommario/riassunto |
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In a series of articles published in Tait's Magazine in 1834, Thomas DeQuincey catalogued four potential instances of plagiarism in the work of his friend and literary competitor Samuel Taylor Coleridge. DeQuincey's charges and the controversy they ignited have shaped readers' responses to the work of such writers as Coleridge, Lord Byron, William Wordsworth, and John Clare ever since. But what did plagiarism mean some two hundred years ago in Britain? What was at |
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