1.

Record Nr.

UNINA9910462874203321

Autore

Wright Angela <1969 May 14->

Titolo

Britain, France and the Gothic, 1764-1820 : the import of terror / / Angela Wright, University of Sheffield [[electronic resource]]

Pubbl/distr/stampa

Cambridge : , : Cambridge University Press, , 2013

ISBN

1-139-89152-9

1-107-06566-6

1-107-05495-8

1-107-05835-X

1-107-05603-9

1-107-05960-7

1-139-52436-4

Descrizione fisica

1 online resource (xii, 214 pages) : digital, PDF file(s)

Collana

Cambridge studies in Romanticism ; ; 99

Disciplina

823/.08729

Soggetti

Gothic fiction (Literary genre), English - History and criticism

Romanticism - Great Britain

Romanticism - France

Comparative literature - English and French

Comparative literature - French and English

Gothic revival (Literature)

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Title from publisher's bibliographic system (viewed on 12 Jan 2016).

Nota di bibliografia

Includes bibliographical references and index.

Sommario/riassunto

In describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national anxieties concerning the importation of war, fashion and literature from France in the aftermath of the Seven Years' War. In the last decade of the eighteenth century, as Britain went to war again with France, this time in the wake of revolution, the continuing connections between Gothic literature and France through the realms of translation, adaptation and unacknowledged borrowing led to strong suspicions of Gothic literature taking on a subversive role in diminishing British patriotism. Angela Wright explores the development of Gothic literature



in Britain in the context of the fraught relationship between Britain and France, offering fresh perspectives on the works of Walpole, Radcliffe, 'Monk' Lewis and their contemporaries.