1.

Record Nr.

UNINA9910462820503321

Autore

Fairclough Mary <1978->

Titolo

The Romantic crowd : sympathy, controversy and print culture / / Mary Fairclough [[electronic resource]]

Pubbl/distr/stampa

Cambridge : , : Cambridge University Press, , 2013

ISBN

1-139-61114-3

1-107-23784-X

1-139-61300-6

1-139-62230-7

1-283-94326-3

1-139-62602-7

1-139-60932-7

1-139-38272-1

1-139-61672-2

Descrizione fisica

1 online resource (ix, 294 pages) : digital, PDF file(s)

Collana

Cambridge studies in Romanticism ; ; 97

Disciplina

941.07

Soggetti

Sympathy - Great Britain - History - 18th century

Sympathy - Great Britain - History - 19th century

Romanticism - Great Britain - History - 18th century

Romanticism - Great Britain - History - 19th century

Social values - Great Britain - History - 18th century

Social values - Great Britain - History - 19th century

Press and politics - Great Britain - History - 19th century

Collective behavior - Moral and ethical aspects

France History Revolution, 1789-1799 Foreign public opinion, British

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Introduction: collective sympathy -- ; Part I. Sympathetic Communication, 1750-1800: From Moral Philosophy to Revolutionary Crowds: ; 1. Sympathy and the crowd: eighteenth-century contexts; ; 2. Sympathetic communication and the French Revolution -- ; Part II. Romantic Afterlives, 1800-1850: Sympathetic Communication, Mass



Protest and Print Culture: ; 3. Sympathy and the press: mass protest and print culture in Regency England; ; 4. 'The contagious sympathy of popular and patriotic emotions': sympathy and loyalism after Waterloo -- ; Afterword: sympathy and the Romantic crowd.

Sommario/riassunto

In the long eighteenth century, sympathy was understood not just as an emotional bond, but also as a physiological force, through which disruption in one part of the body produces instantaneous disruption in another. Building on this theory, Romantic writers explored sympathy as a disruptive social phenomenon, which functioned to spread disorder between individuals and even across nations like a 'contagion'. It thus accounted for the instinctive behaviour of people swept up in a crowd. During this era sympathy assumed a controversial political significance, as it came to be associated with both riotous political protest and the diffusion of information through the press. Mary Fairclough reads Edmund Burke, Mary Wollstonecraft, William Godwin, John Thelwall, William Hazlitt and Thomas De Quincey alongside contemporary political, medical and philosophical discourse. Many of their central questions about crowd behaviour still remain to be answered by the modern discourse of collective psychology.