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Record Nr. |
UNINA9910462792803321 |
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Autore |
Dolan Emily I. |
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Titolo |
The orchestral revolution : Haydn and the technologies of timbre / / Emily I. Dolan [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2013 |
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ISBN |
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1-139-61087-2 |
1-107-23698-3 |
1-139-60911-4 |
1-139-61273-5 |
1-139-62203-X |
1-283-98670-1 |
1-139-62575-6 |
1-139-23597-4 |
1-139-61645-5 |
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Descrizione fisica |
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1 online resource (xiii, 290 pages) : digital, PDF file(s) |
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Disciplina |
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Soggetti |
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Instrumentation and orchestration - History |
Orchestra - History - 18th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
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Nota di bibliografia |
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Includes bibliographical references (p. 265-285) and index. |
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Nota di contenuto |
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Lessons at the ocular harpsichord -- The idea of timbre -- Haydn, orchestration, and re-orchestration -- The republic of sound -- The real museum of musical works -- Abuses of the orchestra. |
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Sommario/riassunto |
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The Orchestral Revolution explores the changing listening culture of the eighteenth and early nineteenth centuries. Delving into Enlightenment philosophy, the nature of instruments, compositional practices and reception history, this book describes the birth of a new form of attention to sonority and uncovers the intimate relationship between the development of modern musical aesthetics and the emergence of orchestration. By focusing upon Joseph Haydn's innovative strategies of orchestration and tracing their reception and influence, Emily Dolan shows that the consolidation of the modern orchestra radically altered how people listened to and thought about |
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